Lisa Koza
Forum Replies Created
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Well at one point, during a review, I had it looking pretty great actually. But come to think of it, I might have been reviewing it off a DVD that I burned. It was still an SD sequence that went into DVDSP, but it looked much better.
Now I’ve been doing it with my cam, print to tape, and just hookin it up with a composite cable. Am I to guess that’s even worse? I just want it to broadcast proper, and look good.
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thank you again, for such detailed instructions, you rock! Here is a clip that went thru that process. I still see interlacing issues on my computer screen however, which actually, I use a 26inch 1080p HDTV as a monitor. And I see a jagged edge on my 57 inch in playback. What do you see? It does play smooth though.
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The station is happy with just a mini DV. So, what you’re sayin here is that this IS a wacky set up, huh? I just need them all to work together….but the most important is the show footage.
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Delivering Tape.
Everything is Title Safe. Going letterbox in a 4:3.
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I need to deliver SD in a 4:3 to a local TV station, they didn’t specify format. I have several sections to this 28:30 min show. I have 4 sequences in HD, the guts of the show (the clip is an example that I sent you). Then I have a bunch of graphics for sponsored by ads, they are a mishmash of HD and SD. Then I have a few commercials from other companies, all in SD. So, my timeline to go OUT I made in SD, NTSC DV/DVCPRO. I decided to stay away from ProRes after you mentioned that 486 business.
So, if I export out, then into compressor……it needs to play happy with all the other formats. I’ve been editing for over 4 years now, but have never had a mix format project like this. A great learning experience!
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It was a 4 cam shoot, all HDV Sony’s however. This is from just one cam.
thank you again, gin on it’s way! 🙂
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oh crap, sent the wrong one. I need a vodka, and fast. I’m so sorry.
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Here is a little clip. This was done with dropping my HDV footage right into an SD sequence.
https://files.me.com/lisakoza/a4d1ic.mov
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No Monitor. Testing it by printing to tape and playing it on my TV, using my cam. Freelance Editor here, not the big time. I have a 57 inch HDTV (projection, not LCD) and an older tube TV, digital, ect, does wide, but a little older. It of course looks better on the latter.
At one point, in the beginning, my footage looked OK, it was before I started nesting my HDV sequences into my SD timeline. Does nesting ever do anything, in a bad way?
This is a cooking show with Mario Andretti in it, he’s local to where I live, and well, of course all jobs should look their best, but.