Liam Stephens
Forum Replies Created
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Hey Mark i don’t think we really are dismissing more like Huh?! I actually work for work for an international distro house could u elaborate more on 16:9 FHA i’m sure someone is going to ask about that anyday now might as well cut that off at the pass 😉
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Ah thx Charlie it all makes sense now…cheers
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Exactly! thats how i worked out where my matte should go by watching the down convert via the Kona with edge crop. Wouldn’t u know it the mattes left and right points were -720 and 720…Luckily i only had to move 6 shots and the opening titles of the feature and then tonight i will render out the whole timeline. Thx for the quick response guys and making me feel like i’m not going crazy.
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I’m totally with u guys on this basically i have been told it is for the down convert to 4:3 from 16:9 this way by looking at the HD master the TV network can know what will be included in the final 4:3 version. Or in other words so when u sell ur film and give them deliverables they dont have to pay for the pan & scan process. I just spoke with a guy who has done it before and he confirmed it was an outdated process but still a necessary deliverable…
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Yeah have to second that AJA guys really do rock!
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Definitely not there, so weird!
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No, i was talking about the free title plugin that came with 5, do u need the continuum to run boris 3d title in FcP6?
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OK so good news! Im running straight out of the d-beta composite which is clearing up the color problem. So it seems it wasnt the software, but im sure it will help in the long run thx… Had some v-hold issues but that was fixed using the ref loop and a black burst. So seems to be going all ok now except resolution is a bit iffy after playing for a minute or 2 bu i will get back to u on that oince i have confirmed this problem. Thx for all your help guys.
cheers
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Only installed FCP6 today installing new software now…
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Ok ,so it works when im running through the D-Beta. Color is terrible but it works. im running Kona LHe v3.3 and FCP6