Langley Bowers
Forum Replies Created
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Follow up question – I wasn’t able to find this in other threads, but I apologize if it’s already been addressed, or if it’s an amateurish question… I understand that the Motion/FCP canvases are not accurate representations of what the final text will look like on a broadcast monitor. However, what if I want to create text to be viewed on a computer/website? What project setting should I use for crisp text?
Thanks very much.
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Sooooo… I just found out some interesting information about the PD-150. It natively shoots DVCAM at 48K, and when switching to DV, it defaults to 32K. You can go back in and override the default to record 48K DV, which I did. However, when I did this, an “NS” showed up next to “48K” on the display, which I just found out means “non-synchronous”. It seems crazy that this would be a common enough occurrence to have such a prominent place in the display.
Anyway, does anyone know if there is a way to work around this in Final Cut?
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This was one of the first things I looked for – 48kHz, 16 bit for both.
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I tried capturing in smaller increments, as you said, but still no luck. Does this mean there is an issue with the tape? I just tried loading another tape that was shot on the same camera yesterday, and had the same problem. I don’t understand how it could be a problem with the tape when it plays back perfectly on the camera!
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Thanks for your response, I will try this.
Is there a way to set FCP to break up the capture into smaller clips automatically, or do I have to sit and manually escape from the capture every 7 minutes?
Just curious, do you have any idea why this is a problem?