Kevin Blum
Forum Replies Created
-
I just tried that method and didn’t seem to work. When I scroll through the clip it still seems to have the 4:1 pulldown.
-
Will Shane’s method work for 59.94 as well. I was just told by the lead editor that he wants the final quicktime output to be 59.94. Aren’t they the same? Should I just convert the footage to 29.97, edit in 29.97 and then export using quicktime conversion and change the frame rate to 59.94? Will that affect the final run time at all?
-
I guess there’s a plugin for After Effects called twixtor that will do any conversion seamlessly. Unfortunately it’s $600.
-
Thanks! I’ve seen that before as well. What’s the workaround if that happens? (where It looks bad when played on NTSC monitor) Do you just run the raw file through compressor again?
-
Got it. That’s basically what I wanted to know. Thanks so much for help!
-
But if it s starts at 01:00:00:00 on my 23.98 timeline, won’t it start at 01:00:00;02 when converted?
-
Ok, that’s good to know.. I guess the only other question I have is, since my export will be 23.98, should the first frame on my timeline land on 01:00:00:00 or 00:59:59:22 to take into account for the conversion? Or will the kona card automatically do this?
-
Interesting Shane. I definitely check out that app and probably double check my work with the Slug method in the event I need to cut something to time. luckily, for these web projects, the TRT doesn’t matter. I’m just trying to figure out where the best place to cut those couple frames from, so that my SOT lands on 01:00:00;00.
If I have 30 secs black, 30 secs bars, 20 slate, & 10 sec black and they all start on the timecodes requested, then my SOT won’t land on hour 1. I need to cut a couple frames somewhere. Do I take it from the Bars & Tones?
-
Thanks Mark. I appreciate your help.
-
Do you know where I can get templates with drop zones?