[Joseph Freeman iii]

Thank you Chris for your reply.

From testing, the issue was discovered in AME was Max Color Depth was set, as well as 16 bpc. By unchecking Max Color Depth the issue was resolved. All colors look very nice.

Additionally, I dumped the Wraptor DCP files and created the DCP with DCP-O-Matic…which has a built in DCP viewer, many controls and is twice as fast as Wraptor.

Thank you for sharing the gamma information.

[Joseph Freeman iii]

Hi Matt,

Click on the timeline (to receive focus) with the warp stabilizer effects, and press Ctrl-F (Windows) to open the Find Dialogue menu. Select either “All” or “Effects” in the search drop-down menu, and enter “warp” or “warp stabilizer”
in the find input field. The find criteria will be similar to “effects” – “contains” – “warp”, then click the Find Button.

The find function should locate the next clip occurrence (relative to the timeline location) with the warp filter applied. The matching clip will be selected/highlighted.

For locating additional matching clips, move the timeline cursor past the current clip and repeat “Find” again. Repeat until all clips have been reviewed.

To answer your question on the workflows of large projects, I have yet to find a rock-solid workflow without issues. Possibly best to break the big project into smaller projects and combine each project when finished, or render each and combine.

Currently, I am working on an 85-minute project with about 1,300 media clips and hundreds of effects. I spend about 20-30% of my time, recovering from Premiere Pro freezes when I am in the master timeline with all clips and effects. Smaller projects typically have minor issues, if any. This is on a workstation with 64 GB of DDR4 RAM, 1080 Ti Video card, 14 TB storage, and a 3.3 GHz. 6 core processor.

Good luck.

Joseph

[Joseph Freeman iii]

Hi Neil,

I have recently provided two projects for theatre presentation in h.265.

The quality is outstanding, as compared to h.264.

Good luck.

Joseph

[Joseph Freeman iii]

Hi Matt,

Select all clips in your timeline that you want to remove any effect, then right click and select Remove Attributes.

Check “only” the attributes/effects to remove and click OK.

This will remove one or more attributes/effects in multiple clips.

Good luck with your project.

Joseph

[Joseph Freeman iii]

Thanks Herb for the keyboard shortcut tip, I hadn’t thought of that.
My solution was to nest and adjust the nest.

[Joseph Freeman iii]

I will have to investigate submixing….Thanks for the tip.

[Joseph Freeman iii]

Hi Tero,
Adjusting the volume level for the nest the volume level relationship between the clips was maintained and Loudness Radar verified the adjustment to the -24 threshold.
Thanks for your response.

[Joseph Freeman iii]

Thanks Dave for the swift reply.
Adjusting the master Levels also affects the other audio tracks.
My solution was to create a nested sequence which holds all the fight audio clips and the Volume Level for the Nest is lowered.

[Joseph Freeman iii]

John,

Thank you for your continued interest and help in seeking a solution.

I looked at the link and found the video to be enlightening and potentially helpful in the future, though not in this situation.

When you referenced Master Clips in an earlier post I decided to revisit Search in the Timeline, but instead of using “ALL” in the search criteria, I used “Effects” and I found a number of instances of Lumetri referenced in clips in the timeline.

After locating & removing all references I saved the project and verified in 7-Zip/Edit/Find there were no Lumetri references in the project file.

Originally I blindly relied on “Remove Attributes” to remove all instances of Lumetri, but apparently this wasn’t the case.

Again thank you, maybe this information may help someone.

[Joseph Freeman iii]

There are no LUTS applied.
I don’t see any Video reference, could you repost the link.
Upon viewing the video and testing I will update the results.
Thank you for sharing this tip.