Thanks Terence,
My problem remains playback at the native framerate. In a 24fps timeline, the footage plays unacceptably but in a 59.94 timeline, it plays fine. This is with playback dropped to “low” quality (and actually, on our system “low” doesn’t seem to give me any extra capability. it looks and plays back the same with either setting).
So my question is whether you or anyone you know can play back 24fps footage in a 24fps timeline cleanly?
Time for me to vent:
I’m fine with workarounds until Red drops their new codec and new programs, but it is a little frustrating to see Red and Apple still advertising that it’s “ready to go” on their sites, when it’s obviously a long way from being suitable for a professional workflow. Here’s Red: “New REDCODE RAW codec supports RT playback in Final Cut Pro 6.0.2 and editing of the QuickTime Reference movies generated in camera.” And here’s Apple: “You can take 4k files, shot with the camera, and plug it directly into, say, a MacBook Pro on the set, and see those files in FinalCut Pro. And actually edit them.” (this is audio from the movie here: https://www.apple.com/finalcutstudio/action/?movie=red ). And the reason I’m frustrated is that this sort of advertising has lead people (including the owners of my company) to expect it to work as advertised.
Don’t get me wrong – I think the camera is incredible. It’s just tough to fight expectation.
-Jon Weigand