Jonny Revolt
Forum Replies Created
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Jonny Revolt
August 1, 2011 at 12:20 am in reply to: DIT software for SONY F3 with S-Log and CinedeckThanks so much I appreciate the help I will call them in the morning.
Jonny
Jonny Revolt
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Thanks for the update!!! Have a great night.
Jonny
Jonny Revolt
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We have the crew in place, but if you have a guy I would love to talk with him and see if he is right for the job. The issue we are have is the software we prefer is STORM and as far as I know there is no software that will support Apple ProRes 4444 or uncompressed. The EX3 is great but the F3 with S-Log has been turned into a film camera and we need to create LUT’s in real time.
Jonny Revolt
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Thanks for your help. I am actually going to use a combination of moca and roto brush. Moca is freaking out when tracking the underwear. So, I’ve roto brushed the underwear, it’s just a black g string. In moca I have tracked the sheets on two layers and the skin above and below the underwear with a strong feather and I’m putting it all together now.
Jonny Revolt
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I will give mocha a go. I had tried what you said with offsetting another layer below just above the underwear and you could still tell, with the rotobrush. Is there a way to blend the skin of the two layers together with either a blur or a smudge? without effecting the bed sheets maybe with a mask…
Jonny Revolt
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Jonny Revolt
May 24, 2010 at 10:48 pm in reply to: No media drives available on an Adrenoline running Composer 2.2.5I had filter drives selected. Darn! It’s all works now. Thanks.
Jonny Revolt
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My AE is good we did the conversion with QT PRO 7… What is weird is it’s just this one computer that is doing it. Could it be the video card? And… why would it continue rendering black frames out. I thought about deleting the preferences file for FCP but since it happens in 2 different programs I thought it may be hardware.
Jonny Revolt
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It’s all good don’t wanna be an Apple Poster child, so the clips are exported and match the sequence now. I still do have the questions of getting black from FCP and After Effects when using Sapphire any answers on that?
Jonny Revolt
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Different frame rates has been in FCP since 6 that’s one of the cool things FCP does allowing you to conform many different types of footage on the timeline, you do have to render it at the end so it will render to whatever your sequence is set to. As far as the codecs in After Effects everything is set to Animation or Apple Pro Res, the problem with black shows up mist often when I use Sapphire FX.