Jonathan Bigler
Forum Replies Created
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That sounds good, where do you find that option? While exporting in FCP, or while importing in DaVinci? I don’t seem to find it.
Final cut uses file names and frame count. I would be surprised if DaVinci wasn’t able to do the same. I guess you’ve got the trick.
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No it doesn’t. And the issue is that not only I want my proxies to have timecode, but also the original h264 files. Since I rather grade from the h264 than the converted ProRes. I guess qtChange will do the job.
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qtChange seems like a good way to do this. Thanks for the tip. Do you know, if I add a time code to the h264 file, and then convert it to ProRes. Is the timecode going to follow? Since you work with Windows, you probably haven’t tried that. I’ll give this a shot, and post my results.
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I’m running in the same issue, I guess no one has found an answer? As for now I can only use FCP to output videos on my Plasma.
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Thanks a lot Joseph, I didn’t know about the Flanders monitors. The LM-2140W is about 2’500$, that’s a pretty affordable deal. Would you say that it’s a good monitor to work for the grading of TV commercials with DaVinci Resolve and a Blackmagic DeckLink Studio card? Would that be a decent setup?
Thanks for your valuable feedback!