Thanks for the replies guys.
I’ve just decided to go with prores QTs then back track to the TIFFs before making EDLs for the post house. This way once I’ve got a locked cut it’ll be case of frame cutting around 100 frames manually rather than the 7000 odd that make up one take.
Walter:
The footage was shot with frame cutting in mind so the shutter angle is fine, also since it’s the offline making a decision on frame blending etc isn’t really mine to make. Especially as I know the post house and how they’d react to me doing anything other than giving them the debayed TIFFs.
Jeremy:
Not sure what difference being Cineon or DPX makes too trying to frame cut.
Thanks again for taking the time to reply
John