John Pale
Forum Replies Created
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Probably should have edited in a 4K sequence. Premiere scales the proxies to match making the whole thing seamless. Just press the button and you are editing with proxies instead of hi res media. Nothing to fiddle with when you export. Premiere will use the hi res media and renders. I guess you can paste everything into a new 4K hi res sequence after the fact.
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Post your current sequence settings.
You should be editing with the sequence set up for your hi res output all along, never set up for your proxy resolution. In order to play the proxies you just click the proxy button. -
If you are using Premiere’s proxy workflow, the effects should scale properly when you switch to full res. So, Set to Frame Size works. If you are just making your own proxies outside of the normal workflow, it may not work as you intend.
It’s a pretty easy thing to test, if you are concerned.
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There’s this guy who used to post here a lot who’s name eludes me. Kinda looks like he fell of the tour bus of the original King Crimson, but he knows his stuff. If anyone knows, he would. Anyone remember his name? Ask nicely, he has a shotgun.
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You can export an OMF from Premiere and import that into Audition. See if that works.
If you want to debug this, I’d try duplicating your sequence. Try deleting all audio plugins from the dupe sequence (Select all audio clips, then use Remove Attributes). Flattening the multicam clips might be useful, too.
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Offline All does just that. The clips are now unlinked until you manually link them. The next time you open the project, Premiere will do nothing and not search for the last known linked media files. The clips stay offline.
Cancel just tells it to stop looking for the media, but it will look again the next time you open the project.
If you use media files with the same name, in the future make sure you have create XMP metadata turned on in preferences. It will create a unique ID in metadata for each media file instead of relying on the file name and will help prevent the wrong files from linking.
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The read/write speeds they have on the specs for this flash storage are about 4 or 5 times the speed of a SSD drive. With the 4TB option, many people could edit solely on the internal storage with no need for an external drive. I don’t see any 4TB NVME chips available commercially. I wonder if Apple is using a pair of 2TB chips?
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The organization I currently work for has a large amount of archival footage in its system that was captured improperly and has this issue. Hopefully, they still have the tapes in a vault somewhere, as I’ve been informed that the cost of recapture is too great to undertake at this time.
Usually you can minimize the problem in Premiere by right clicking on the clip in the sequence and selecting Field Options/Flicker Removal. This results in a slightly softer image, but a lot more usable.
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That’s for a standard SSD drive running at SATAIII speeds.
Mac laptops use faster storage similar to NVME M2 chips. 4TB of that kind of storage would probably cost more than $1000.
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No.