John Pale
Forum Replies Created
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Use Compressor to convert your audio files to 48k Stereo AIFF files. See if that helps.
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Even better…fully functional 14 day demo…download link still active…
https://www.editmule.com/downloads/plugins/demos/Filter_Remover.zip
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there was a piece of software called Edit Mule that used to do that, but unfortunately it looks like they are out of business.
You might want to contact them and maybe they will help you out anyway. (Hey, Wes Plate made Automatic Duck free when he got hired by Adobe)
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Are you sure you really want to build a new FCP 7 system from the ground up?
You do know it’s a dead product…end of life?
If you are not already invested in it, maybe the money is better spent on building a system for Avid, Adobe or even FCPX (if that works for you). All of them have free trials.
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[Jeremy Garchow] “Interesting idea, but do you think that will really happen?”
I do. I read last year several PC manufacturers expressed interest in licensing OSX but were rebuffed by Jobs. If Cook thinks he can make money, keep people using an Apple product, without having to build less profitable hardware, he might just go for it. I think they would only license it to a few high end workstations.
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Is this captured/imported media or AMA?
As long as the folder structure (Avid MediaFiles/MXF/1) is correct and there are Media Database files normally Avid does not care about drive letters.
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They are dropping “Mac” from the OS X name because the OS will be licensed to run on computers other than Macs. This will be different than before, as last time they licensed the OS to cheap clones which bled Apple’s bottom line. This time they will license to select pro workstations…which they will stop making themselves, as they are not profitable enough for them. It’s really a no brainer. Steve Jobs would never allow it, but Tim Cook is much less dogmatic.
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Export Quicktime Movie keeps the same settings/dimensions/codec of your sequence.
Export Quicktime Conversion changes it to whatever is set in your export setting. Most likely, you have an export preset set for 4:3.
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Ugh. Hate inheriting stuff like this. Last time this happened to me, I was fixing random wrong shots all over the show because the same timecode numbers appeared in multiple places on the tape and the assistant did not assign a new reel number to any of it. Just kept telling myself the meter was running (paid by the hour).
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If you want it to really have the same…oomph….as a typical radio spot, you’ll probably want to add a healthy dose of compression to it. You might want to play with the compression filter in Soundtrack Pro.