[John Hudson]

If you want to stay in Premiere I have done this type of thing using the audio track mixer. The trick is not to use the reverb on the clip itself but on an audio track.
1. Add and new audio track under your music track. (I assume this is just a stereo clip.)
2. Duplicate (copy) your music to this new track.
3. Cut off everything except the last second or so that you want to reverberate out.
4. Open the Audio Track Mixer then look in the upper left corner. You will see a tiny arrow. Click that and that will expand and show the effects you can add to a track.
5. In this Track Mixer window go to you new track you want add the reverb and click the top down arrow. You should see a list of effects you can add. Select Studio Reverb. Double click studio reverb to see the settings. Maybe choose “Great Hall” to start with then tweak from there.
6. When playing the timeline the music should have the reverb effect.
7. Now go to your timeline and expand this new reverb track.
8. In the timeline click the tiny diamond under the word Audio #. From here select Track Keyframes: Volume.
9. Use keyframes in the track to fade in the reverb effect. This should make it sustain and not cut off.

Hope that helps. It sounds a little complicated but if you are not comfortable sending things back and forth to audition this might be a solution for you.

[John Hudson]

Premium Beat just posted a list of these types of things on their blog. Haven’t checked them out myself yet but Premium Beat is usually pretty good about these types of list.

https://www.premiumbeat.com/blog/premiere-pro-free-transition-template-packs/?utm_source=PremiumBeat+Email+Updates+List&utm_campaign=bd916171ca-CORE-PREMIUMBEAT-NEWSLETTER-CONTENT-20190926-1&utm_medium=email&utm_term=0_06eeab03b0-bd916171ca-431251997

[John Hudson]

Preferences > Timeline

[John Hudson]

Go to the Marker pull down menu at the top of your screen and make sure “Ripple Sequence Markers” isn’t checked. This menu option is at the very bottom.

[John Hudson]

Thanks

[John Hudson]

Thanks for your quick response and advice.

[John Hudson]

I believe your resolution has to be exactly half.

So your 4k footage is good because 4096 ÷2 = 2048 and 2160 ÷ 2 = 1080. Therefore your 4k proxy dimensions would be 2048 X 1080

Your 5k footage would have to be 5120 ÷ 2 = 2560 and 2700 ÷ 2 =1350. Meaning your 5k proxy dimensions should be 2560X1350 for you 5k footage.

Hope that helps.

[John Hudson]

Harrison,

One thing I have done in the past is to open the multicam clip in it’s own timeline and used markers with durations to “log” the multicam. These markers do show up when editing them in your master sequences.

Hope that helps.

[John Hudson]

As far a books go I would suggest “Creating Motion Graphics for After Effects”. When I taught After Effects a couple of years ago I would use this book for the students.
https://www.crishdesign.com/books/Creating-Motion-Graphics/index.html

You can also learn a lot from Lynda.com. Not just After Effects but a ton of other programs and topics. They have a free 10 day trial. For the last couple of years I gladly subscribed to this site at my work. Recently my local Library added this to their list of services and I can log in with my library card and get access to the entire Lynda.com site. Maybe they have this in your area.

John

[John Hudson]

I remember being frustrated with this when I started in Premiere a couple of years ago. If your clip that has the audio only on the left channel is a stereo clip you could use the “Fill Right with Left” audio effects plug-in. Hope that helps.