[John Fishback]

I’ve had good luck using PZMs taped to a table. There’s not as much table noise as you’d expect. You can prbably cover 3 people per mic. However, I’d experiment before the shoot with different mics and placements. Regardless of mic type and placement the automixers are a good idea.

John

Dual 2.5 G5 4 gigs RAM OS 10.4.8 QT7.1.3
Dual Cinema 23 Radeon 9800
FCP Studio 5 (FCP5.1.2, DVDSP4.1.1, Comp2.3, STP1.1, Motion 2.1.2)
Huge U-320R 1TB Raid 3 firmware ENG15.BIN
ATTO UL4D driver 3.50
AJA IO driver 2.1 firmware v23-28
Pro Tools HD w SYNC IO, Yamaha DM1000, Millennia Media HV-3C, Neuman U87s, Genelec Monitors, PrimaLT ISDN

[John Fishback]

Check out P2 Log Pro or HD. You can view the P2 data, change metadata, export XML to NLE apps and more.

https://www.imagineproducts.com/P2log.htm

John

Dual 2.5 G5 4 gigs RAM OS 10.4.8 QT7.1.3
Dual Cinema 23 Radeon 9800
FCP Studio 5 (FCP5.1.2, DVDSP4.1.1, Comp2.3, STP1.1, Motion 2.1.2)
Huge U-320R 1TB Raid 3 firmware ENG15.BIN
ATTO UL4D driver 3.50
AJA IO driver 2.1 firmware v23-28
Pro Tools HD, Yamaha DM1000, Genelec Monitors, ISDN

[John Fishback]

I’ve used the Millennia HV-3C a number of times for ADR. It’s a stereo pre and is known for it’s transparency. If you can find a dealer who will agree, try to borrow 2 or 3 pres and decide which one you like.

John

Dual 2.5 G5 4 gigs RAM OS 10.4.8 QT7.1.3
Dual Cinema 23 Radeon 9800
FCP Studio 5 (FCP5.1.2, DVDSP4.1.1, Comp2.3, STP1.1, Motion 2.1.2)
Huge U-320R 1TB Raid 3 firmware ENG15.BIN
ATTO UL4D driver 3.50
AJA IO driver 2.1 firmware v23-28
Pro Tools HD, Yamaha DM1000, Genelec Monitors, ISDN

[John Fishback]

It sounds to me like you may not have “mixed down” your audio. Go into the Sequence menu, select Render Only and then Mixdown.

John

Dual 2.5 G5 4 gigs RAM OS 10.4.8 QT7.1.3
Dual Cinema 23 Radeon 9800
FCP Studio 5 (FCP5.1.2, DVDSP4.1.1, Comp2.3, STP1.1, Motion 2.1.2)
Huge U-320R 1TB Raid 3 firmware ENG15.BIN
ATTO UL4D driver 3.50
AJA IO driver 2.1 firmware v23-28
Pro Tools HD, Yamaha DM1000, Genelec Monitors, ISDN

[John Fishback]

Good points!

John

Dual 2.5 G5 4 gigs RAM OS 10.4.8 QT7.1.3
Dual Cinema 23 Radeon 9800
FCP Studio 5 (FCP5.1.2, DVDSP4.1.1, Comp2.3, STP1.1, Motion 2.1.2)
Huge U-320R 1TB Raid 3 firmware ENG15.BIN
ATTO UL4D driver 3.50
AJA IO driver 2.1 firmware v23-28
Pro Tools HD, Yamaha DM1000, Genelec Monitors, ISDN

[John Fishback]

I suggest in the future you include a warning about this to all your customers. Maybe print up a small card with instructions. That way you head off trouble before it occurs.

I might just do that myself. This has never come up, but underestimating the technical unsophistication of clients is dangerous.

John

Dual 2.5 G5 4 gigs RAM OS 10.4.8 QT7.1.3
Dual Cinema 23 Radeon 9800
FCP Studio 5 (FCP5.1.2, DVDSP4.1.1, Comp2.3, STP1.1, Motion 2.1.2)
Huge U-320R 1TB Raid 3 firmware ENG15.BIN
ATTO UL4D driver 3.50
AJA IO driver 2.1 firmware v23-28
Pro Tools HD, Yamaha DM1000, Genelec Monitors, ISDN

[John Fishback]

Sorenson Squeeze for Flash is terrific. Be sure to get the On2VP6 codec.

https://www.sorensonmedia.com/products/?pageID=1#ppc2

John

Dual 2.5 G5 4 gigs RAM OS 10.4.8 QT7.1.3
Dual Cinema 23 Radeon 9800
FCP Studio 5 (FCP5.1.2, DVDSP4.1.1, Comp2.3, STP1.1, Motion 2.1.2)
Huge U-320R 1TB Raid 3 firmware ENG15.BIN
ATTO UL4D driver 3.50
AJA IO driver 2.1 firmware v23-28
Pro Tools HD, Yamaha DM1000, Genelec Monitors, ISDN

[John Fishback]

For future reference, Jay Rose of the Digital Playroom has a list of ISDN capable studios at https://www.dplay.com/audiobahn.html

John

Dual 2.5 G5 4 gigs RAM OS 10.4.8 QT7.1.3
Dual Cinema 23 Radeon 9800
FCP Studio 5 (FCP5.1.2, DVDSP4.1.1, Comp2.3, STP1.1, Motion 2.1.2)
Huge U-320R 1TB Raid 3 firmware ENG15.BIN
ATTO UL4D driver 3.50
AJA IO driver 2.1 firmware v23-28
Pro Tools HD, Yamaha DM1000, Genelec Monitors, ISDN

[John Fishback]

Check out Alcorn-McBride. Their players are used in many large theme parks and entertainment venues. They are rock-solid, reliable playback units. Some can be updated and controlled via a network connection.

https://www.alcorn.com

John

Dual 2.5 G5 4 gigs RAM OS 10.4.8 QT7.1.3
Dual Cinema 23 Radeon 9800
FCP Studio 5 (FCP5.1.2, DVDSP4.1.1, Comp2.3, STP1.1, Motion 2.1.2)
Huge U-320R 1TB Raid 3 firmware ENG15.BIN
ATTO UL4D driver 3.50
AJA IO driver 2.1 firmware v23-28
Pro Tools HD, Yamaha DM1000, Genelec Monitors, ISDN

[John Fishback]

The goal of modern mastering engineers is to create the hottest track possible without clipping. An interesting fact I just learned is that virtually all digital meters do not show all the possible clips since they only indicate the level of specific samples. If a clip point does not occur exactly on a sample point, but between two sample points, it will not indicate. As a result, the meter can look good, but clipping can occur. If the song was mixed by an inexperienced mixer, it’s even more likely this might occur.

In a professional studio, monitoring with oversampling reconstruction filters (the circuits that recreate the audio waveform from the samples) these clips are not heard. However, when the song hits a consumer CD or DVD player it can sound distorted because its playback circuitry can’t handle the clips. The same effect would happen when you make a mp3 from a track with clipping. Perhaps that’s what’s going on. Of course, it could also be a case of a lousy encode.

John

Dual 2.5 G5 4 gigs RAM OS 10.4.8 QT7.1.3
Dual Cinema 23 Radeon 9800
FCP Studio 5 (FCP5.0.4, DVDSP4.0.2, Comp2.0.1, STP1.0.2)
Huge U-320R 1TB Raid 3 firmware ENG15.BIN
ATTO UL4D driver 3.50
AJA IO driver 2.1 firmware v23-28
Pro Tools HD, Yamaha DM1000, Genelec Monitors, ISDN