I’m really excited about it. It is, IMHO, a harbinger of things to come. A vastly improved FCPX, a 4k/Retina cinema display, and built in 4k HDMI monitoring all suggest what Oliver does – that Apple is building a true 4K editing machine. Couple this with some other developments like the upcoming 4K options to our Sony FS700, Resolve 10 awesomeness, and it’s no wonder I’m probably getting an ulcer from raw, unfettered impatience.
2 years ago started a painful transition period for all of us, not just with Apple but with all software in general. I’m really hoping that we’re about round the corner and enter a truly beautiful period of production. Software that is robust and does what we want with no workarounds, hardware that is so speedy 3D becomes less of a niche and more of a standard offering, and everything working together to give us more time to make with the pretty pictures.
We’re almost past that point we didn’t want to accept 2 years ago where the previous 32bit world was put to pasture. Everything is finally on the verge of dramatically getting better. The framework for an awesome generation of production is being set on all fronts. It’s an exciting, frustrating time!
John Davidson | President / Creative Director | Magic Feather Inc.