You would need to shoot it twice and as smoothly as possible, and it’s still going to take a ton of post work, and no guarantee it’s going to work 100%.
Shot 1, you shoot it with the gate open & no talent and shoot the entire sequence.
Shot 2: Close the gate, and cam op having already gone past the gate, now you shoot the talent coming up, opening the gate, moving through. Don’t change focal length, iris…and hope your lighting is nearly spot on identical. Clouds can really screw this up.
Now the hard part, you have to composite these shots together seamlessly, & most of that will be achieved by motion tracking the 2 shots together and masking the gate & talent into the first shot(it will help if you have solid edges to use, like the gate).
Here’s a tutorial to a very similar technique. https://www.youtube.com/watch?v=UraPwocOfso
So before you embark on it, do some testing and ask yourself “is this shot so important, or couldn’t I just show the action from one side of the fence”
Johnny Cuevas, Editor
Thinkck.com
“I have not failed 700 times. I have succeeded in proving that those 700 ways will not work. When I have eliminated the ways that will not work, I will find the way that will work.”
—THOMAS EDISON on inventing the light bulb.
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