Thanks Gary,
Why do you suppose canon created a 24p option in PAL on their 5D mark3?
What is the difference between their 24P PAL and 24P NTFS (both 1080 all-I)?
Is there any chance 24P in PAL (from 5d) will cut with 24P NTFS from F55?
I found many discussions online that are claiming that since cams have gone HD, there’s very little (or no) difference between the two.
I’m doing a test right now to see if time code slips if both are dropped in a 23.98 timeline.
John