Joey Foreman
Forum Replies Created
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Why not make the path in Illustrator to begin with? It’s got all kinds of scissor-y-like tools you need for that kind of thing.
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And you probably will want to use Adobe Device Central which is bundled with CS3 & 4 Production Premium. It lets you preview your comp on any number of mobile devices.
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Christopher, I tried to send the project back to you, but my email was returned. Is something wrong with your account?
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Be sure that in the View Options for your comp that Motion Paths is not unchecked.
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I have access to both. Email me at joey848@gmail.com
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I guess when you say “convert” you mean rebuild from scratch, right?
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You can’t open a CS4 project in CS3.
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You know, I’m not sure whether it has to do with sort of dithering inherent in 4:1:1 compression or what, but sometimes some small portion of green in certain edges just won’t go away, even after running a full range of channel desaturations. Then if it’s mission critical you’ve got to generate an edge matte and run that through the paces.
I’ve just had better luck with DVCPRO footage. I think that in 4:2:2 color space the values are more purely isolated in their respective channels.
But really a lot of it also happens to do with the quality of the lighting, the lens, on-set spill reductions with gels, and subject to green-screen distance.
You might also want to try a levels adjustment to the green channel.
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Preferences > General > Synchronize Time of All Related Events
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No way to get it from somewhere else? Is it copyrighted? Was it being played from a disc? Nobody has access to it anymore?
Poor planning=poor results.
You might have to keyframe the levels manually, frame by frame. Ouch.