Joe Smoe
Forum Replies Created
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5dtoRgb>after effects>fcp
It’s 5d footage that stayed pro res 4444 through out
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That was what I was thinking…
I’ll export three ways for one clip then do the math by how many clips there are and the amount of space that creates. I’ll export the one clip using the two codecs that LaRonde mentioned, and then the h264. Let the client compare and contrast the stats, because in the end he’s paying for the bandwidth.
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I saw the post. I think the best thing to do is goto the client and give him his options. I know uploading and downloading +10 gigs per person isn’t ideal but I also don’t want a lot of complains about me using h264.
It’s a marketing thing too, so I don’t it’s too important on the perfect key.
What do you guys have in mind for compressing it? I know h264 is a nightmare, but that’s the only I know of right now (of course they’ll have to use compressor or constantly render in fcp).
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it WILL be distributed over the web no matter what.
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is there a lower quality form of prores that makes the file size smaller?
Basically my goal is to have a codec with the smallest file size that isn’t a pain like h264.
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It’s suppose to be where hundreds of people download this.
It’s a marketing thing and I know it has to be the best quality for keying.
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2-4 minutes each, and it’s more than a 50 clips. I know it’s huge…
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I ended up using Toast, which works great. I do have premiere so that would have been a great solution too.
Toast rendered it out to prores.
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no thank you
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ClipWrap2 worked great, although it only does one minute because it’s a trial. I would invest in buying this but I’ll never use it again. Are there any free solutions? It seems like most the converters I tried (that were trials as well) lowered the quality dramatically.