Thanks Peter.
Does this plug-in keep all the original timecode (starting at 00:00:00:00)?
I’ve just competed a 5min MV which was shot on various formats, but mostly the 5D.
I received approx 3hrs of 5D material.
My assistant transfered all the material through ‘log & transfer’. I encounted a problem with the converted files. The Log & Transfer had modified all the pro-res files to have time of day (TOD) timecode.
After offline, we completed the conform and final grade in ‘Baselight’. The colourist required the original 5D H264 codecs for grading. So before I produced an EDL I had to modify all the clips to have timecode starting at 00:00:00:00.
It was a workflow around it, but it was laborious. I had a few FCP issues too, for some reason after modifying the timecode, I found sometimes FCP would randomly revert some of the clips back to TOD code.
Anyway, we got there in the end.
Thanks again Peter and I look forward to hearing your response.
Joe