Jeremy Gunn
Forum Replies Created
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Thanks to you both for your fast, clear answers.
(Sorry I took a while to reply, couldn’t get online.)
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Thanks!
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Rafael, for “full CC,” do you mean of the digital final cut that will include the scanned 35mm footage, or do you mean correcting the 35mm footage separately at some stage? I’ll do the searches, just figured it’s such a specific question I’d ask here. Thanks again.
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Got it, thank you very much, Michael. I assume scanning, in addition to being costlier than telecine, takes longer, right? Since it’d just be a few shots, could scanning function for dailies (even though it there won’t be any color correction), or would it likely take too long?
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Thank you for the additional input, Michael and Rafael. It’d be to LogC on the Alexa.
Project will be screened theatrically (digitally) for festivals, and on DVD or BD for other viewers. Very slight chance of tv broadcast down the road, but not planning on that.
If you have a chance, could you perhaps explain how digitizing with a scanner differs from telecine? Thank you very much.
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I think I just inadvertently gave myself kudos. That’s embarrassing.
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Thank you, Shane. I wasn’t sure that was telecine, for some reason I thought some other step was needed. Perfect. For an all-digital project with just a few film shots, I assume it wouldn’t make sense to do a negative cut. (It’s just a short, anyway.) Multiple copies = always wise, thanks.
One more ignorant question: This means the film footage, now digital footage, will just get color graded along with the rest of the final cut at the end, right?