Jeremy Doyle
Forum Replies Created
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My math must be different because if you’re staying with the native footage 4000 hours is more like 8TB not 60. So you’re looking at 40TB if you’re working on 5 shows all with 4000 hours raw. Through in the extra 20TB for renders and graphics and you’ll reach 60.
But if you’re transcoding to different codec I can see where you’d easily eat up the drive space.
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Re: Is this legal?
by grinner hester (grinner) on Apr 23, 2008 at 8:19:34 pmyou can mention (but not slander) stage names with no release or permission. You cannot use copyrighted phrases or registered names without written use. You can look these up online though. I know the “lets get ready to ruble” dude likes to surf for people who steal his quote and sues em.
ruble? Way to avoid being sued.
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Off of a 330 camera I’m getting about 1.4x and using the PDW-U1 drive unit I’m getting round 2.5x.
I think the deck is more like the camera than the drive. I haven’t transferred footage off the deck only the camera and I haven’t used that since getting the drive. Although I’ve thought about going back to the camera again because the drive doesn’t have write software so I’m not able to change my disc names with it. But it is significantly faster than the camera.
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I’m just really surprised that a company the size of walmart doesn’t have an internal video dept. They have enough closed circuit TV’s in the stores to keep them busy.
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I have the render issues with an 3.0 octo from last year and have 10.4.11. It usually only happens for me when using pro-res however. Sometimes other codecs, but mostly pro res.
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Drag-n-Drop works fine for me.
I was working on a doc when I updated my iphoto. All image files went offline and my stomach dropped as I had nearly 120 photos in the project at that time. I closed my project and let the update complete. Quite iphoto opened FCP and to my surprise all was linked backed perfectly.
Finished the project by my normal drop and drag. It works the way it always has for me. I pull them right from the iphoto window to my FCP bin.
I should note that this was with iphoto 08 and FCP 4.5 although I don’t know why this would work in an older version of FCP and not a new one. OS 10.4.11.
I do hate that the photos are stored in the package and the folders are created by dates anymore. Sucks for when I want to quick grab a photo in photoshop and all I know is the date it was shot.
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If we shot HD we edit HD than for our DVCAM copies I just set my kona 3 card to downconvert and bingo a nice looking DVCAM master. Haven’t had one rejected by a network yet.
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In our situation with 12 edit suites running SanMp, I keep my project files on the raid along with the media and set my autosave up for my system drive. I also have my autosave set for 5 minutes so I’m never really out to much time in case of a crash.
The reason I do it this way is because then I don’t have to have file sharing turned on and it’s easy for other editors or designers to find the project.
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[Steve Wargo] “When you’re in a restaurant and the server says “Do you want sour cream with that?”, is it their duty to tell you that it’s $.50 extra or is it your duty to ask if it costs extra?
It’s their duty to tell you, just like it’s our duty to tell the client that the rate is higher for nights and weekends. “
I have never had a server tell me that the sour cream is extra. I have always learned after the fact by seeing the bill. Now it has become customary for me to ask. Maybe that’s just a Minnesota thing.
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There are several people with fish tanks in our building, but he’s the only one in the TV dept. If it leaked there really wouldn’t be much to damage where he has it located. I’m sure he’d be very heartbroken with the loss of his thousands of dollars of rare and hard to locate fish however.