Jeremy Belzer-adams
Forum Replies Created
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Did any of you figure this out? I’m having the same problem!
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I would do what others have said, add pulldown to the 24 fps stuff and cut it at 60i. When you export for the web it will be 30fps but the 24 stuff will have the film look. I just had to do this for a broadcast show, we have a mix of 24 and 30 and the only way to make it work was to cut at 30.
You can add the pulldown in compressor. It may take a while to transcode, but it will add the correct cadence if you use frame tools.
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Definitely subclip manually. This is a great way to screen your footage and you can also add markers at the same time which will help you when you’re searching for a specific shot.
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You want to Edit to tape, not print to video.
Here is a good guide on how to do this from FCP. https://library.creativecow.net/articles/battistella_david/FCP_edit_to_tape.php
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That was helpful, thank you. I actually just ran a test with my Kona 3 and successfully upconverted 525i 29.97 material to ProRes 1080p 23.98. I also ran the same test with DVCPro50 material and found it to work. My concern is that Im losing quality by converting 29.97 to 23.98 and then back to 29.97 on layoff. But I guess there isnt really any great solution in this situation and since most archival material probably wont look all that great anyway, its probably not a big deal…
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Export the quicktime with original settings. Then use compressor to make the 8bit movie. It should solve your problem.