Jeff Dobrow
Forum Replies Created
-
Jean is correct as usual.
I am working on a piece now that involves a huge 3space setup in AE with multiple “multi-plane” scenes and to make it managable every scene is a seperate comp with its own 3space,…all put together in another main comp with its own 3space.I typically so far have always had my pre-comp with all layers 3D,…then when I bring it in to main comp I collapse it AND make it 3D as well so I can use my main camera…. I have run into issues with effects and track mattes in the sub comps not working once in the main comp……then I un-collapse and it works??? A bit of trial and error im afraid.
Would love to know the true source of these anomolies……
-
IMHO Illustion is dead. Trapcode Particular will easily do what you want right within AE.
-
The only way I know to get the ‘best’ bcast safe colors is to be monitoring your AE output window through a framebuffer card like Digital Voodoo or Aja or whatever and then animate levels/hue_saturation while watching a scope. This way you have total control and can really push colors to the edge while still being safe,……it is a wonderful way to work IMHO.
-
Yup,….u guys got it.
I used Sinedot II, and used Shine on it w/colorize 3 point to give color. If I remember there may have been another instance of the Sdot filter on top in add mode. But no glow effect.
Jeff
VDO