Forum Replies Created

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  • Jeff Coleman

    January 30, 2007 at 3:45 am in reply to: Gradient Wipe Works in DV Seq, Not in HD Seq Why?

    Thanks so much for trying those clips. Well, you got me thinking…so I went to a different mac running 5.1 and created an uncompressed 10bit 1920x1080i square pixel sequence and dropped a few Bars and Tone (HD) clips from Final Cut’s generators and had the same bad result. The gradient wipe works with adjacent clips but not on the beginning of a clip with an empty timeline preceeding it.

  • Jeff Coleman

    January 29, 2007 at 3:41 pm in reply to: Twixtor for FCP 30i>60p>24p???

    [juicey5] “I’ll keep the thread updated when I find out more.”

    What was your solution?

  • Jeff Coleman

    January 29, 2007 at 3:41 pm in reply to: Twixtor for FCP 30i>60p>24p???

    [juicey5] “I’ll keep the thread updated when I find out more.”

    What was your solution?

  • Jeff Coleman

    January 25, 2007 at 6:49 pm in reply to: Gradient Wipe Works in DV Seq, Not in HD Seq Why?

    I haven’t messed with the clip well. I’m using the same effect that works when the clips are adjacent.

  • Jeff Coleman

    January 25, 2007 at 6:22 pm in reply to: Gradient Wipe Works in DV Seq, Not in HD Seq Why?

    thanks for the suggestion. Trashing made no difference. This has been happening since FCP 5.1 was installed.

  • Jeff Coleman

    January 25, 2007 at 6:17 pm in reply to: Legalize in FCP

    I’m with Shane. Used Broadcast Safe and as soon as it renders the levels go back up again. Strange spike anomalies as well that are hard to see in FCP’s scope. There was a loooong thread on this under the topic of “white levels” a while back that a few others chimed in with similar experience. In theory, what Walter does should work and work every time. I just haven’t found that I could rely on those filters in 10bit uncompressed. Further proof that “the difference between theory and reality is that in theory there is no difference between theory and reality, but in reality there is a difference.” (some DV filmaker author said that, name forgotten).

  • Jeff Coleman

    January 17, 2007 at 1:39 pm in reply to: 29.97 SEQ to 23.98 SEQ HOW?

    What about exporting an XML of the timeline and somehow changing the timebase of that file (with what I don’t know)?

  • Jeff Coleman

    January 15, 2007 at 10:00 pm in reply to: 29.97 SEQ to 23.98 SEQ HOW?

    Will the EDL thing work with my 15 track sequence?

    Love,
    Jeff

    Final Cut Studio 5.1, G5 2GHz Dual Processr, 2.5Gb RAM, AJA IO

  • Jeff Coleman

    January 15, 2007 at 9:57 pm in reply to: What’s your P2 Transfer Speed on a G5?

    Makes it slower than real time then. I was hoping for 4-5x realtime transfer speeds to be able to use it on quick turnaround live events, etc.
    Is the firestore like this as well?

    Love,
    Jeff

    Final Cut Studio 5.1, G5 2GHz Dual Processr, 2.5Gb RAM, AJA IO

  • Jeff Coleman

    November 1, 2006 at 10:03 pm in reply to: dv timeline to uncompressed = render weirdness

    I just had a similar problem (funky green blocks just a bit away from the edge of the keyed area) with a chroma key using Apple Uncompressed 10bit 4:2:2. I called Apple Support and we tried to unload QT 7.1.3 in order to install QT 7.1.2, but couldn’t do it. The cure was to change the Sequence Settings/Video Processing/Motion Filtering Quality = “Fast (linear)”. Any other setting produced the green uglies– even in 8 bit render.

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