Jay Porter
Forum Replies Created
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Tokina 11-16 if you are shooting on a crop sensor Canon. About as wide and fast as you’re going to get. If full frame well the options are all over the place.
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Oh and make sure you WB to the back ground and when you do it. Make sure that your camera is seeing it at about 70%.
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I do lots of shoots on white and the best way to keep it white (for video) is to blow it out a little bit. Also if it comes in a little off color. It’s pretty easy to fix in post, as long as everything else is correct. Have your subject at about 60-70% and the background at 110.
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I do lots of shoots on white and the best way to keep it white (for video) is to blow it out a little bit. Also if it comes in a little off color. It’s pretty easy to fix in post, as long as everything else is correct. Have your subject at about 60-70% and the background at 110. Just like a green screen you must make sure that it’s lit evenly.
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If by viewfinders you mean something like the Zucato Pro or the Hoodman, I own both and they are priced accordingly. The Hoodman is almost worse than worthless, the Zucato Pro (expensive) but worth every penny.
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But just like your eye it does matter how long you are looking at the weld. A quick shot, probably no harm done.
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IF it will hurt your eye…. It will hurt a sensor. Do NOT shoot a weld without a serious ND on the lens.
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G6 is a great camera for a great price, but not a large sensor camera. It’s 4/3rds and it has some of it’s own drawbacks. If you want wide angle or shallow DOF it’s much more challenging to accomplish.
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You will need to run audio separately though.
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Why not just plug the audio into the Ninja to start with? It seems that would be the cleanest best option. I use a Beachtech to bring the audio in/mix and then into the recorder.