James Ewart
Forum Replies Created
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Thanks Franz that’s an interesting thread which I had not seen. For my personal needs I actually love how audio works but I do not get involved in complex mixes myself. Interesting always to read these different points of view.
Thought… Do you think Apple should be paying us for this? ; -)
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Nor me.
I am just forced to make little compound clips all the time because when I put together a little sting or title with sound effect in the timeline, the only way I can “link” them together is to make them a CC. I’d much rather link them together some other way by connecting them to each other. How about a ‘link’ command? It does puzzle me that somebody out there in Apple land thought we would always find it useful to attach stuff to the Primary Storyline.
As an aside …
It took quite a while for something I lobbied for “Override Connections” to be introduced and here I must hang me head in shame – I almost never use it!
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Okay.
I’m too loud. never had any major complaints from my audio colleagues because I guess they prefer me giving them to much because I am peaking usually between -12 and -6.
Thanks
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Those commercials mixers are clever girls and boys. They seem to live within the law but so adept are they with their Compressor filters it still seems loud to me.
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I know I’m going to appear like a complete banana here but I can break apart the CC within the contact of the timeline. I’m just not up there with you Bret!
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I knew nothing of this CALM act of which you speak and can somebody out there tell me if something is in the pipeline in the UK. I hold the ‘gizmo’ (that’s remote control unit in UK English) as a gunfighter would in a duel when a commercial break is approaching. It sounds like a good law.
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I know I’m a little’ behind the game’ here and one of my problems with the updates sometimes is I find myself thinking ‘but how did I do this before?” But isn’t ‘break apart clips’ for compound clips in the timeline a newish feature (I’m probably wrong here am I? In any event Bret In what way does that fall short of your needs? I’m not with you.
Cheers
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“I do like working that way”
Me too Jeremy.
A shortcut would not be a bad idea. I find there is a limit to how many I am able to retain in my ever shrinking brain.
So the command would be Connect clip to Connect Clip?
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I just wonder might this be the deal breaker for a lot of the major broadcasters, facilities houses and major motion picture editors?
The FCPX video interface just requires mental adjustment I found. But for audio mixing can it achieve everything that could be achieved with the traditional window in Legacy?
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“Anyone that’s actually confused by that (which they aren’t) obviously doesn’t even know the first thing about NLEs to begin with and won’t last long in any one of them, regardless of nomenclature.”
There you go again Mr Kurz.