Forum Replies Created

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  • James Ewart

    July 24, 2014 at 7:04 am in reply to: Do You MultiCam or Synchronize

    I have found incredible advantages to editing single camera shoots in multi cam mode. To be able to cut between wide, mid close and see them all “in sync” in the angle viewer has been a revelation to me. Although naturally they are not in perfect sync as they would be for a multi cam shoot, to be able to play back and cut between the angles, for me is a brave new world.

  • James Ewart

    July 18, 2014 at 7:58 am in reply to: lock projects?

    Thanks Bret. Damn!!

  • James Ewart

    July 17, 2014 at 5:05 pm in reply to: lock projects?

    Thank you Jeremy,

    Kind of a standard part of everyone’s workflow isn’t it?

    “Client/EP approval”

    then

    “Lock off tracks”

    Actually with Legacy I always wanted a single command to lock everything off in one go and I bet now somebody’s going to tell me there was one all along.

  • James Ewart

    July 17, 2014 at 12:58 pm in reply to: lock projects?

    Out of interest Jeremy why no “lock off tracks” (apart from that I know we don’t have tracks any more but you get my drift I’m sure)?

  • James Ewart

    July 17, 2014 at 11:33 am in reply to: lock projects?

    Hi Anita,

    Actually smart collections or keywords ain’t a bad idea. Apply the keywords ‘previous version’ or something like that.

    Doesn’t quite do what we want but a good thought thanks.

  • James Ewart

    July 17, 2014 at 11:25 am in reply to: lock projects?

    Hi Anita,

    I too would like be able to “lock off tracks” (to use other NLE parlance) as in other NLEs if only to remind me it’s not a current project/timeline if I accidentally go into the wrong version. My workaround is to disable everything in the timeline when i’m done with that version as a visual reminder that I’m done.

    There may be better ways. It used to give me peace of mind to be able to lock everything off. I miss it.

  • Thanks Doc.

  • “I would have thought the reason for not being able to elect to leave the footage in place (i.e. on the card) is obvious.”

    Well obvious to you clearly but obviously not obvious to Alex or he would not have posted the question.

    Here you go putting people down again. If you cannot find it in yourself to be kind, helpful and constructive I suggest you refrain from posting Professor Kurz.

  • James Ewart

    July 15, 2014 at 8:12 am in reply to: Audio Mix Window

    To have one bit of software the accomplished both to a highly professional level is, perhaps, a little over ambitious (or greedy even)?

    So where does FCPX stop before it hands over the audio baton?

    Perhaps right where it is?

    Maybe we should be content with a whole new NLE that takes us just so far before we hand over to Pro Tools, Sadie, Logic?

    Maybe ditto Color?

    Incidentally I do not know anybody (in my circle of colleagues and friends) who uses Logic for audio post here in the UK (Music composition yes). I guess people do but to what extent?

    Do you people use Logic for audio post much?

    http://www.jamesewart.co.uk

  • James Ewart

    July 14, 2014 at 3:17 pm in reply to: Audio Mix Window

    I was being frivolous of course.

    I for one get way more out of this place than I put in. But I try and contribute where I can.

    cheers

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