James Ewart
Forum Replies Created
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And another thing.
Why not call “Reveal in Event Browser” “Match Frame”?
That one really is beyond the pale.
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At the end of the day though what I have found is a lot of the time the audio adjustments you want to make can be made by simply expanding the audio. And then collapsing. It does require a slightly different thought process but most of the time it’s all you need.
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Apologies and thank you for picking up on that I meant “Reveal in Event Browser” .
For my (as you have previously already established) seriously flawed personality it would be logical if one has a “detach audio” command to also have an “attach audio” command.
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“… the file structure of FCP X is better positioned to allow multiple users to access the same library at the same time ”
In such a scenario how would I prevent you messing with my project/timeline inadvertently for example?
I guess some kind of virtual lock?
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Thanks Oliver
I can’t get my head round two or more people using the same files at the same time but I guess that’s what Video on Demand is all about.
oh well – it’s good to know one’s limitations. ; – D
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I know one can work round this (reveal in finder and drop in to timeline again) but the inability to ‘reattach audio’ is something I have never understood. I am guessing there is a very good reason why you can’t… anyone know?
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I’ve heard people ay they prefer the loom of 24 over 25 – I always thought that was a bit far fetched an argument being that 24 looked more “filmic” then 25. More of a film versus tape argument from way back.
But the look of 24/25 over 30? Hmmm never heard that. 30 more clinical for your money? Something in the magic of that drop frame thingy? … I wonder … the fact that it is not a perfect fit? Maybe.
Transfer 24 to 25…. bit of a tone change in audio but doesn’t look so weird I don’t think.
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I’ll check it out.
We have definitely seen a return to quality from the BBC due to competition from the American series like 24 (last series a bit disappointing), Blue Bloods (bit schmaltzy but I love it) and True Detectives (who mixed the audio though?) to name a few that have done really well here.
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Don’t even understand why we don’t all shoot 30FPS for Cinema?
Would that not be nice? A whole world united at 30FPS.
You know (sorry off topic again) I don’t have any experience of this, but I think that we do a straight transfer of 24 FPS to 25FPS for TV. Certainly we used to in film days.
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No I missed that Jeremy but will see if I can download. Was it good?