Forum Replies Created

  • Jamal Howard

    December 27, 2011 at 10:46 pm in reply to: Color Space Monitoring and Output Questions?

    Thanks for the thoughts.

    So does that mean I don’t need the Arri LUT to grade/view the REDLogFilm files?

    So just do the grade from the (very) flat REDLogFilm gamma?
    And if that’s the case, why has it been recommended to use a LUT on the REDLogFilm files?

  • Jamal Howard

    December 27, 2011 at 9:09 pm in reply to: Color Space Monitoring and Output Questions?

    It’s a Sony PVM L5 CRT. Calabrated using color bars (All I have access to at the moment).

    Right now I’m adding the LUT as a node to individual clips as I have a mix of RED and ProRes footage in this timeline.

    As I mentioned in my earlier post, the LUT I generated on the Arri website has no color conversion on it (1D “none”, not Rec709 3D) as I read recommended by Mike Most in other posts. Is that correct?

  • Jamal Howard

    November 29, 2011 at 12:41 am in reply to: Working in LOG (REDlogfilm) with display LUT in Resolve

    Thanks for the info. Are you using a rec 709 monitor or a P3 capable monitor?

  • Jamal Howard

    November 28, 2011 at 10:51 pm in reply to: Working in LOG (REDlogfilm) with display LUT in Resolve

    Hi Toby,

    I’m about to start a similar project – Working with RED R3D files in Resolve. Will be grading on a Sony CRT, but the project may have a film out.

    Are you just using the REDGamma and REDLogFilm LUTs built into Resolve (under the RED settings) or are you using a specific LUT in either the input or output LUT section?

    If you are using either the input or out LUT section which LUTs are you using?

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