[Jack Hextall]

Old thread, but really interested to see if anyone had any advice on this. Thanks!

[Jack Hextall]

It exports fine, just trying to make sure I’m not losing detail when playing the sequence.

I think when I zoom to fit it’s in the right resolution in which case I’ve no need to worry.

Has anyone else encountered this?

[Jack Hextall]

I’ve also got this problem and it’s driving me insane!
I’ve tried deleting my prefs, no luck.

Any ideas?

EDIT: just found this:
https://forums.adobe.com/thread/1941346?start=40&tstart=0

[Jack Hextall]

Thanks for this advise guys. I ended up performing a camera move on the 2D layers, with the reversed corner pin move of the “screen” over the top. As you said Walter, it’s flawed but I’ve covered it up with a nice load of blur.

I still feel there should be a simpler way around this but never mind if not!

The reasn I covered it up with the reverse corner pinned “screen” was that it couldn’t continuously rasterize. It’s a comp, so when I clicked the sun it collapsed the transformations (changed the comp) rather than keeping the vectors crisp. Any way around this?

Cheers

[Jack Hextall]

Thanks for the reply.

I thought Mocha was only for camera/object tracking of footage. I’m trying to arrange the 2D elements in my scene so that I can angle the contents of the screen to fit the computer, then expand the screen to fill the composition. I’d like the other elements in the composition (desk, computer etc.) to move with it.

Is this only possible if I arrange all the elements in 3D? The simplicity of corner pinning is that I can achieve a 3D effect very easily, is it impossible to then reverse the effect and make all the other elements follow?

[Jack Hextall]

Thanks Ted, I’m going to test magic lantern when I get my hands on a beefier card; it looks like its working with some capability on the 7D.

And yes I think positioning the rods will be crucial!

[Jack Hextall]

Any takers with ideas for this?