[Iann Mcgill]

Thanks Micheal!
Def. on the right track. Will you walk me through it a little more clearly. I’m going to transcode my 2:1 video to DV25, go home and work on it on my Xpress — come back to work Tuesday, and take the sequence I had been using over the weekend, bring it back on to my avid here at work. Then all I do is “right click it”, relink the new sequence, and select “relink offline non-master clips to any online items”, under “Video Relink Parameters:” what should I choose when relinking my sequence back to the 2:1 video?
Relink Method: Specific Resolution
Relink if quality: is great to or equal, is equal to, or less than or equal to 2:1

I guess I’m just a little weary. Thank you for the help.

Jesse

[Iann Mcgill]

I just wanted to let everyone know that John answer above solved my problem. Thank you, and it worked out perfect!

Jesse

[Iann Mcgill]

Sweet! Now that’s what I’m talking about! Thank you for you suggestion John, when I get into the office this morning, I’ll give it a try!

Jesse

[Iann Mcgill]

Hi Mike,
Thank you for your suggestion. I had thought about doing it that way, but I had just hoped that Avid had a much easier more versatile way to handle the problem. I literally have hundreds of clips logged for each tape. It took me about five hours just to log the first two tapes. Not to mention the amount of time it took to online them all. If you or anyone else for that matter, has a solution to this, or heck even a workflow suggestion that would help me stream line my process, I would be happy to hear it.

Thank you again, until I find out another way, I’ll just drag the clip over to the digitize tool, rename it, re-log it, and then re-batch the whole group.

Keep’n my fingers crossed for a better more efficient solution.

Jesse