I bought the Kona to monitor the HD material I shoot with my HVX200a and JVC-HD200UB. I believe I will just get a converter for the AES output so I can plug that into the AV receiver.
Thanks for getting back to me right after NAB. I always admire your true altruistic nature.
I have been using the breakout cable as I did not purchase the box. There is nothing connected to the genlock input as I have no genlock. I have XLR to RCA adapters to feed it right into my Yahamha receiver.
I tried hooking the XLR outputs directly into my JVC S-VHS decks as they are the only equipment I have, other than my mixer which I will try next, that has XLR inputs. Using this I get the same noise.
I am fairly familiar with the hardware that needs to be setup for a San so I understand the costs involved. Someone sent me your creative cow post on a low cost San and I wanted
to see how viable it is for our setup. You were somewhat unclear in the software aspect so this is why I am wondering what the deal is with licensing and what not.
I get that quite often however I see it quite differently. Nonetheless I do need to compare something and as I have already stated, the technical end is my passion. Some of it is BS but if you know the technology well enough then you can see where the people are coming from. Many a time I do penetrate through the manfacturer’s fog however sometimes I know they have a point
While I understand what you are getting at, I have seen quite a few articles saying that allowing us to shoot in DVCPro, HDV, etc allowed us to do this, that, and the other thing.
That seems to be esoteric indeed however I need sources for that. Pages upon pages could easily be made up about that however what do you think I would pull as sources?