Heather Mason
Forum Replies Created
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A possible solution would be to save two folders. One folder for your color workflow and one folder for the adjusted images for output (tv). As a general rule, you should always adjust your images according to your final output, but I understand when ‘final’ output could be both a print and a web/dvd file it can get tricky. Another option maybe to adjust your images using curves (in photoshop) it’s a great way to control the brightness but still darken the midtones (which is where the retouching, usually takes place) so when the files are viewed on the tv, the midtones should be a bit darker and mask any ‘obvious’ retouching issues.
Retouching is a tough game, and to perfect it–is an art. See some crazy good retouching sites here: https://amydresser.com/ or here: https://www.blue-soho.com/. Maybe brushing up on your retouching techniques may help, so that your retouched photos are so good that no matter how bright the image gets. Retouched ares of photos shouldn’t be noticeable. See https://sixrevisions.com/photoshop/26-professional-photoshop-retouching-tutorials/, youtube, https://www.lynda.com, or https://www.creativecow.net for some retouching tutorials.
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Found a lot of great info on digitalcontentproducer.com. Also I’m trying to find my latest PDF whitepaper about H.264….(throwing files around desktop)…..AH HA!!! HERE it is: https://www.adobe.com/devnet/flashmediaserver/articles/h264_primer.html