Harry Katz
Forum Replies Created
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Tom, I was able to get Angle 2 audio working fine in the multicam clip in the timeline, but now Angle 1 audio is not! It’s audio is coming from Angle 2, the reverse of the problem I had earlier! I’ll try to give you a call… thanks very much for the offer.
Harry Katz
harry1@harrykatz.com -
I’m working on another video and the same problem is occurring… Angle 2’s audio is coming from Angle 1’s mic when in the timeline, yet when I listen to the original Angle 2 clip the audio is fine. So I go into the Angle Editor, I set the monitoring angle, everything sounds fine here, but when I use the back arrow to go back to the timeline, the Angle 2 audio isn’t there… of course I’m on a deadline today!
Thanks again.
Harry
Harry Katz
harry1@harrykatz.com -
Tom, I’m too much of a novice here to know exactly what you were talking about, but I went through your first suggestion, I was clicking on various icons, noticing some changes in which audio was dominant, but when I went back to the multi cam clip nothing changed. Then I went into the inspector, after I found out what that was (!!) and clicked on both angle 1 and angle 2, making the check boxes active in both, while changing to Dual Mono, where it doesn’t matter to me if it’s stereo or not, but something worked! It worked! I wish I knew why this change had to be made, when I never had to make any adjustments after making the multi cam clip in other videos, but I’m not concerned now… I have perfect sound in both channels…
Thanks for your input… now I can go home, get my 4 hours sleep and come back to the office again! Really appreciate it!
Harry
Harry Katz
harry1@harrykatz.com -
I realized I could try restarting my Mac, which I hadn’t done in many days… that did the trick… Amazing what can not work when the Mac isn’t restarted for a long time…
Thanks.
Harry
Harry Katz
harry1@harrykatz.com -
Thanks for pointing me in the right direction… I was afraid it might have something to do with keyframing as well… what an opportunity to practice keyframing and color correcting at the same time! Let’s hope I remember this is an opportunity while I am pulling my hair out! I’ll try to remember to let you know how I made out!
Harry
Harry Katz
harry1@harrykatz.com -
James, this is great… thanks very much not only for the detailed information but the link to the manual… now you’ve ruined my weekend plans! No, just kidding, this will be a labor of love and, quite frankly, the best opportunity possible to start to learn this aspect of editing. I am truly appreciative…
Harry
Harry Katz
harry1@harrykatz.com -
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I just found it! I was in wireframe! Oh, what it is to have no formal training with this!
Harry Katz
harry1@harrykatz.com -
Harry: you opened the cropped file in QuickTime X and the dimensions were 479 x 348. If you tried opening in QuickTime 7, you would see that the file opens at the correct dimension, 280 x 204. Why QuickTime X doesn’t open at the smaller, correct dimension, I don’t know. But Final Cut and Compressor did their jobs properly.
Harry Katz
harry1@harrykatz.com -
Thanks, will change…
Now I discover that what I thought was converting to 280×204, is only converting to 478x 349… I could do this when I shot at 1440 x 1080, but now am shooting at 1920 x 1080… is this latest size too big for Compressor, or FCP for that matter (when I export using QuickTime Conversion and using the Crop option), to go as low as 280×204? the 478×349 happens to be in the same ratio as 280×204…
Thanks.
Harry Katz
harry1@harrykatz.com