[Hans Vogel]

Best is to consolidate the raw 444 footage. You could use edl spy for this task:

https://edlspy.felixhuesken.de/

Cheers

[Hans Vogel]

Hi Laszlo

can you send me your emailadresse to herein@planbfilm.ch?
thanks
hc

[Hans Vogel]

közönöm sepem laszlo.
Do you know what system they are running at Origon? Baselight?

[Hans Vogel]

I think about one of those monitors, if we are really gonna do a DCI grading.
Thanks for the the support.
HC

[Hans Vogel]

What price range are we talking about?

[Hans Vogel]

@ola: Wow. Your setup sounds great! Maybe I can convince them to travel to Trondheim in November. At least it’s dark outside, so not a big difference to the grading suite 🙂

It’s off topic. But how is you experience with the autocue? Does it come with any calibration tool?
Cheers
HC

[Hans Vogel]

@Dan: We already thought about going to a DCI Cinema. It’s not a bad idea and I would definitely go this way with my own project. I think the DP is just used to big Lustre or Baselight suites…..

[Hans Vogel]

Hi Dan. Thanks for the hint.
I was a little bit impresices. Sorry. The final result will be DCP only.
We recommended to go 2 or 3 times to a DCI cinema to check different kind of footage (outside/inside/day/night etc.) during the process. But that is not good enough for the DP.
He want’s to to the final on a big screen / theater.
So if anybody knows such a facility in europe running Davinci Resolve, would help a lot.
Thanks.

[Hans Vogel]

Egli runs a Baselight Suite. We need a Davinci suite so we can bring the raw material and the project.
What system runs at Freestudio? Do you know that?
cheers
HC

[Hans Vogel]

Hi Robin. Thanks for the quick response.
We have a similar suite like you. But we need a bigger screen.
Kind regards
HC