[Gyuri Szlamka]

Thanks for all your input.

All the tests I describe below is just I/O + format conversion in Nuke. I didn’t do anything else with the image.

@Jeremy: I haven’t tried it on mac, on PC I made jpeg and tga seq. I exported tga seq with rec709 colorspace. QT player showed it darker, but when I loaded it back to Nuke, there was no difference from the original.

@Walter: Now everything on mac: I import the original file (ProRes HQ 422)to Nuke with rec709 colorspace and export a test.mov with exactly the same settings (ProRes HQ 422 and rec709 colorspace). I import the test.mov to Nuke again and there is no difference between the original and test.mov. (OK some recoding artifact, but only visible at maximum gamma value)
In QuickTime player test.mov is definitely brighter that the original.

I guess QT player sees the two (almost identical) video differently and I can’t do anything with it.

Thanks again.

Gyuri

[Gyuri Szlamka]

And do you know anything about the JVC ProHD 720p/25 support?

[Gyuri Szlamka]

I did the same before I posted. But still I didn’t see the same comp in the AE window. There were some layers with less than 100% opacity in PS and these weren’t transparent in AE at all. Or did I do something wrong?

[Gyuri Szlamka]

I did the same before I posted my question. But there were some layers in PS with less than 100% opacity and AE (or I) couldn’t handle them. I mean these layers weren’t transparent at all.
After importing the psd file as a comp, I saw something completely different in AE from the original PS design. I hope I did something wrong, but I don’t know where did I fail…