Forum Replies Created

Page 66 of 107
  • Greg Janza

    January 12, 2018 at 6:20 am in reply to: More “demystification”…

    [Bill Davis] “What breaks loose in public today is often a crapshoot in the world of PR.”

    As of January 11, 2018 Apple’s market valuation is $891.66 billion. I don’t think a random anomaly in one of their products will cause undo harm.

    I Hate Television. I Hate It As Much As Peanuts. But I Can’t Stop Eating Peanuts.
    – Orson Welles

  • Greg Janza

    January 11, 2018 at 8:33 pm in reply to: Client supervised remote edit session

    I’ve used skype with a remote producer and it works very well. You can share your playback screen with audio and you can also very easily talk back and forth.

    I Hate Television. I Hate It As Much As Peanuts. But I Can’t Stop Eating Peanuts.
    – Orson Welles

  • Greg Janza

    January 11, 2018 at 4:35 pm in reply to: The Color Wheels Mystery – Demystified

    As someone who has been following this thread simply out of curiosity, I want to thank Simon ( and Oliver) for the very clarifying information and explanations of the FCPX color wheel anomaly.

    This demonstrates how helpful these forums can be for the entire professional community.

    I Hate Television. I Hate It As Much As Peanuts. But I Can’t Stop Eating Peanuts.
    – Orson Welles

  • Herb, thanks for your input. I was thinking similarly but wanted confirmation from the community.

    I Hate Television. I Hate It As Much As Peanuts. But I Can’t Stop Eating Peanuts.
    – Orson Welles

  • Greg Janza

    January 4, 2018 at 3:40 pm in reply to: MP4 stalls at 100% export for minutes. Anyone else?

    That is definitely not right. Your next step might be to contact Adobe to troubleshoot.

    I Hate Television. I Hate It As Much As Peanuts. But I Can’t Stop Eating Peanuts.
    – Orson Welles

  • Greg Janza

    January 3, 2018 at 11:28 pm in reply to: The Color Wheels Mystery … An obviously wrong answer

    This ain’t “color” rocket science. Either the color tools work in a manner that fellow video professionals have defined as the standardized norm or they have a bug flaw that needs to be addressed. Or is Apple now re-inventing color too?

    We’re all quite familiar with software bugs in this industry so adding one more bug to the pile is acceptable.

    I Hate Television. I Hate It As Much As Peanuts. But I Can’t Stop Eating Peanuts.
    – Orson Welles

  • Greg Janza

    January 3, 2018 at 7:27 pm in reply to: MP4 stalls at 100% export for minutes. Anyone else?

    If you’re referring to a minute or two to mux larger files (i.e., 30min shows) then yes I also share the same experience. But shorter length files are immediately available after compressing.

    I Hate Television. I Hate It As Much As Peanuts. But I Can’t Stop Eating Peanuts.
    – Orson Welles

  • Greg Janza

    January 3, 2018 at 5:49 pm in reply to: Optimizing CC for Mac

    You’ve probably already searched out these solutions but your problems sound like they may be either GPU or hard drive related since you obviously have a fast computer.

    Where are you accessing your media from? How fast is that drive?

    Here’s the adobe page for GPU troubleshooting with lightroom:

    https://helpx.adobe.com/lightroom/kb/lightroom-gpu-faq.html

    I Hate Television. I Hate It As Much As Peanuts. But I Can’t Stop Eating Peanuts.
    – Orson Welles

  • Greg Janza

    January 2, 2018 at 7:58 pm in reply to: FCPX comparison ’17 Quad iMac to Octo Core iMac Pro

    Claude, I can only tell you what has worked well for me. I primarily work with Sony FS7 XAVC files at 240mbps.

    On my PC system, I’m using an Nvidia GeForce GTX 970, an i7-5820k CPU with 32 gigs ram. My media lives on an OWC Thunderbay Thunderbolt2 raid which connects to my PC through an Akitio TB2 to TB3 adapter. With this setup I am able to work without issue in full res with Luts attached with all of my 4k media.

    I guess with your imac you’ll need to know what the data rate is for your media and then determine if your media drives are fast enough. in addition you’ll need to determine if your graphics card is powerful enough to make use of OpenGL. All of this may require doing some tests on your system with 4k footage.

    If you have the right components there’s no reason why you can’t work smoothly with 4k media and avoid the very time-consuming proxy creation workflow.

    I Hate Television. I Hate It As Much As Peanuts. But I Can’t Stop Eating Peanuts.
    – Orson Welles

  • Greg Janza

    January 2, 2018 at 4:24 pm in reply to: Best Practices

    Nick, Bob is giving you quite a special gift – free consultation advice from a veteran expert in the field.

    Please keep in mind that the veterans on this forum and most other professional video forums are genuinely attempting to help others out and hopefully save them from potential nightmares that they may have encountered when they were young and inexperienced.

    Follow bob’s advice and you will look like a veteran with a wealth of knowledge in the field.

    I Hate Television. I Hate It As Much As Peanuts. But I Can’t Stop Eating Peanuts.
    – Orson Welles

Page 66 of 107

We use anonymous cookies to give you the best experience we can.
Our Privacy policy | GDPR Policy