Forum Replies Created

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  • Graeme Nattress

    August 18, 2005 at 8:00 pm in reply to: In a bind.

    Did you change the sequence itself to 23.98fps?

    Graeme

    – http://www.nattress.com – Film Effects and Standards Conversion for FCP

  • Graeme Nattress

    August 18, 2005 at 7:20 pm in reply to: In a bind.

    The audio should get converted along with the video, and remain in sync, or are you trying to use the pre-conform audio??

    Graeme

    – http://www.nattress.com – Film Effects and Standards Conversion for FCP

  • Graeme Nattress

    August 18, 2005 at 5:47 pm in reply to: Edge blur filter?

    G Vignette in Film Effects will do exactly what you want!

    Check out the free demo at http://www.nattress.com

    Graeme

    – http://www.nattress.com – Film Effects and Standards Conversion for FCP

  • Graeme Nattress

    August 18, 2005 at 5:44 pm in reply to: In a bind.

    Yes, yes and yes.

    G

    – http://www.nattress.com – Film Effects and Standards Conversion for FCP

  • Graeme Nattress

    August 18, 2005 at 3:48 pm in reply to: In a bind.

    “Conform” just tells a clip to run at a different frame rate. SO if you have a clip at 24.00fps and it should be at 23.98fps, just conform it from one to the other. It will now run slightly slow as you’ve conformed it to a slower speed. Conforming does not add or remove frames or change image data at all. It does not add or remove pulldowns, it just changes frame rate.

    Graeme

    – http://www.nattress.com – Film Effects and Standards Conversion for FCP

  • Graeme Nattress

    August 18, 2005 at 3:27 pm in reply to: In a bind.

    Use the conform option in Cinema Tools to conform the 24.00fps footage to 23.98fps, and then remake your edit on a 23.98fps timeline (if that’s what it is to fix things). That should work for you without recapturing.

    Graeme

    – http://www.nattress.com – Film Effects and Standards Conversion for FCP

  • Graeme Nattress

    August 18, 2005 at 3:08 pm in reply to: Old FIlm effect

    Film Effects http://www.nattress.com will do exactly what you want.

    Graeme

    – http://www.nattress.com – Film Effects and Standards Conversion for FCP

  • Graeme Nattress

    August 18, 2005 at 3:07 pm in reply to: PAL to NTSC

    Even with Compressor 2, I use my filter as it’s about 35 times faster to do a standards conversion. I just can’t wait 4h30m for a 1 minute conversion.

    Graeme

    – http://www.nattress.com – Film Effects and Standards Conversion for FCP

  • Graeme Nattress

    August 18, 2005 at 3:03 pm in reply to: In a bind.

    I was sort of more referring to the extra 4:1:1 to 4:2:2 back to 4:1:1 process that will go on, which will reduce colour quality slightly, but indeed, if you play out to SDI or Component from a DV timeline, you’re getting a double DV compression also. Ouch.

    Usually the only thing that stops 24p playout is if the timeline is set to 24.00fps rather than 23.98fps. Do that, set playback to high quality, pick 3:2 and you’re laughing!

    Graeme

    – http://www.nattress.com – Film Effects and Standards Conversion for FCP

  • Graeme Nattress

    August 18, 2005 at 2:41 pm in reply to: In a bind.

    On the DVX100a, did you shoot 24p or 24pA (advanced). Is your timeline set to 24.00fps or 23.98fps. It should be 23.98fps. How did you remove the pulldown from the captured clips? Why do you want component or SDI for going back to DVCAM – they will only loose you quality over a firewire output to DVCAM.

    Graeme

    – http://www.nattress.com – Film Effects and Standards Conversion for FCP

Page 86 of 144

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