Graeme Nattress
Forum Replies Created
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Only thing that ever causes that is if the sequence is not the same settings as the clip. Check both the clips’ and the sequence settings and make that sequence match the clip!
Graeme
– http://www.nattress.com – Film Effects and Standards Conversion for FCP
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I’ve got a nice lens flare as part of my Set 2 at http://www.nattress.com
There’s a free demo. Try it and see!
Graeme
– http://www.nattress.com – Film Effects and Standards Conversion for FCP
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Too much “new year’s cheer”?
Graeme
– http://www.nattress.com – Film Effects and Standards Conversion for FCP
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Intra = inside, Inter = between. Intercity railways go between cities.
Intra frame compression = only inside that frame, like DVCproHD
Inter Frame compression = occurs on groups of frames.
Although all Interframe compression also uses intra frame compression as well, as both the image and the motion vectors are DCT compressed in MPEG2.
Now which hang down, stalegtites or stalegmites? Stalegtites hang down as a pair of tights on the washing line hang down.
On a graph, which way is X and Y. X is across, as “x is a cross”, and Y is up as the “three wise men looked up” – say “wise “as “yzzz”.
Ok enough…..
Graeme
– http://www.nattress.com – Film Effects and Standards Conversion for FCP
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USA frame rate is really 29.97fps, or more accurately 30*1000/1001, but that’s not the point. Film runs at 24p, video that runs at 24p really runs at 23.98fps, and to get to NTSC “30fps” or 29.97fps you add 3:2 pulldown. It’s very, very standard and how film is always shown on USA TV. You’ll have no worries going that route at all.
Graeme
– http://www.nattress.com – Film Effects and Standards Conversion for FCP
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No, shoot 24p for the USA market and convert that to 25p for the PAL market. Shooting 30p doesn’t convert to PAL very well. You only ever need to shoot 24p.
Graeme
– http://www.nattress.com – Film Effects and Standards Conversion for FCP
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Either you shoot 25p and conform to 24p, then add 3:2 pulldown for USA, or…
Or shoot 24p, conform to 25p for PAL.
Works great either way. You shouldn’t shoot 30p as it doesn’t convert to PAL nicely/quickly/easily.
Graeme
– http://www.nattress.com – Film Effects and Standards Conversion for FCP
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People have started getting it. The release date is 29th dec, so I doubt many will have it – but should be in your dealers next week.
Graeme
– http://www.nattress.com – Film Effects and Standards Conversion for FCP
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You can convert easily from 25p to 24p or 24p to 25p – it doesn’t matter which way around you do it.
Graeme
– http://www.nattress.com – Film Effects and Standards Conversion for FCP
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Check out my plugins at http://www.nattress.com If you download the demo for Film Effects, you’ll find a couple of plugins called G Chroma Sharpen, that will do exaclty what you want. They’re for vastly improving the quality of any chroma, and they really help pull good keys.
Graeme
– http://www.nattress.com – Film Effects and Standards Conversion for FCP