[Glenn Sakatch]

Is your non avid storage able to use ISIS folder names?…are you trying to force it to use ISIS folder names? Have you tried good old folder 1?
Do you have proper write permissions?

Glenn

[Glenn Sakatch]

From your description, this should have worked
I would suggest link troubleshoot step 1… link to 1 file in a new bin, then find the original link for that file in the original bin location. Compare all the columns, especially, start time end time, duration, fps, reel name…something has to be different from one project to the next….one bin to the next…

Glenn

[Glenn Sakatch]

The only way I have gotten around this is to manually link to camera raw in Avid…creating a new sequence that is correct. Painful, but doable using items like original duration to narrow down which items that share time codes need to be used. (In my case they renamed the clips without preserving original names in a separate column…so very difficult to know where stuff was supposed to come from)

At least in Avid you can try to rethink to other columns that might get you partially there.

Once the avid timeline is correct…all you lists will be as well.

Glenn

[Glenn Sakatch]

Going to guess they were transcoded in Resolve by someone who didn’t know what they were doing?

I would consider re transcoding before editing.

Glenn

[Glenn Sakatch]

I would look at your project settings, your clip size, and your image resize setting.

Is there any chance you are working in a smaller raster project, working with higher raster image…having resolve scale the image down to the lower raster size, then outputting it at a higher raster size. In essence scaling the picture down and then back up.

If you were to import an HD shot into a SD size project base, and tell Resolve to export it at HD, it would become soft.
The fact that you are importing and exporting HD is irrelevant because your project is set to SD.

Glenn

[Glenn Sakatch]

It is all going to come down to speed. (The math you are forcing upon each line of Text to move)

The cleanest scrolls happen at a very deliberate, pixel per frame calculation, and if memory serves using even number frame speeds works better.

The last couple of rolls I did were done in fusion, using an expression to calculate that each frame has the pixels moving an even number from their last position. It was a beast of a render at 4K for a 2 or so mInute credit roll, but was as smooth as can be. I used to use the same basic formula in DS, with similar results. Trying to make a roll an exact length like 30 seconds is not the way to go…this is forcing the math on the pixels. Figuring out a pixel per frame speed of say 8 pixels per frame will give you a roll that might be 33 and a half seconds, but it will be smoother.

For broadcast tv with strict timelines for credits…do pages and not rolls.

Glenn

[Glenn Sakatch]

I have my cache on an ssd raid inside a qnap, linked 10g to my main PC and an iMac station.

My caches seem to work fine…i don’t do a lot of actual work on the imac, just outputs and conversions, and I don’t use cache files for outputs, but my gallery and stills seem to work across the network.

What part isn’t working?

Glenn

[Glenn Sakatch]

i’d question if it was somehow a stereo vs mono issue, but i don’t see how that could be.

Have you tried duplicating the sequence and deleting one set of the tracks to see if both sets are deleted in the newer version?

Glenn

[Glenn Sakatch]

if you are viewing in rec709, then resolve should be set to rec709.

Resolve usually defaults to rec 709 for its color management settings, so you shouldn’t have to go in a manually change anything.

I think there is an assumption that you are working in REC709, until you tell it otherwise.

Glenn

[Glenn Sakatch]

I use standalone fusion, so it works differently, but you might want to look into the resolve versions ability to create macros or even opening the previous comp, copy, and then go to the current comp and paste.

Im assuming the Resolve version can’t have more than 1 comp open at a time?
is there an “open” dropdown from within the fusion interface? What happens if you open one of your previous comps into this comp?

Glenn