[Glenn Sakatch]

does it come up in your system preferences/users/login items?

Glenn

[Glenn Sakatch]

you might want to add a link to that discussion…not many are going to go searching. (sad but true)

Glenn

[Glenn Sakatch]

I think he is asking if he can get clips that do share timecode to automatically occupy different video tracks when the timeline is created. (Select all the clips, right click, add to current timeline, and have it “just know” that you want them stacked)

Is that the question?

(the answer would be no…there are some things we still need to do ourselves)

Glenn

[Glenn Sakatch]

you should be able to either copy the project itself into the path where your new avid is reading projects from, or when you are given the option of selecting a project, tell avid to look at the path where your original project is currently residing.

(you do have the project files, and not just the media right?)

you should also be able to open any bin from that project from within a different project on avid. (file open bin…)

Glenn

[Glenn Sakatch]

haven’t tried it, but I believe there is a checkbox in BCC effects to “apply to title” Have you tried that?

Glenn

[Glenn Sakatch]

you should be able to call up the color resolve is using and change it to what ever you wish. Not in front of my system right now but I think you either, click on the dissolve and call up the inspector tool or double click the dissolve to show its properties.

Glenn

[Glenn Sakatch]

you have edited your show in a program not really made for editing.
I don’t think AE has any list output options, but I could be wrong there. Your best bet might be sending to Premiere and getting premiere to create a list.

There also used to be some After effects/automatic duck usage, but I’m not positive it would create a list out of AE, perhaps only into AE.

You may have to bite the bullet and start over in the correct program.

You wouldn’t be the first, probably won’t be the last to learn things the hard way.

Glenn

[Glenn Sakatch]

Please confirm where the backup files are living- drive path, folder structure.

As well, is there an Avid database file in with those backed up files.

If so, have you tried dragging the database into a new bin within your project to see what media is available.

Before you worry about the relinking working or not, it might be best to make sure you actually have all the media you think you have, and will need.

Glenn

[Glenn Sakatch]

Your original question mentioned going back to the R3d’s, so I included that idea in my answer. If you want to do that, then you are obviously going to need the camera raws. If your Avid was working at low res, and you want to stay in mxf, then you would need the camera raws to get avid up to high res mxf before sending to Resolve…or you could use Resolve to read the camera raws, and skip uprezzing in Avid. Depends on your desired workflow and perhaps desired finishing output.

If your Avid is already at High quality MXF, and that is what you want for your final quality, then you wouldn’t need the raws.

No correct or incorrect answer…just different workflows.

Glenn

[Glenn Sakatch]

you may have a bit of a bottle neck going to and from the same drive. Have you tried going internal for a few to see if that helps?

Glenn