[Giuseppe Valentino]

Thank you Winston, I just searched on the web if some people had the same kind of problem and I found your prompt answer here on creative Cow, I truly wanted to thank you for sharing it. I’m working on a serious one year long project and I was scared and you gave me a great help (although, answering somebody else).
Well, thank you very much, maybe for you was a little thing but it was truly important for me to fix this problem, so thanks again and if you find the time maybe you could write why it happen so suddently that FCP didn’t open up.

Thanks a million,

Peppe

[Giuseppe Valentino]

Hi Harry, thanks for the reply. Well I’m working on a timeline now and I thought to export when finished as Apple Pro Res. Anyway working on a prores timeline, when exporting the clip it does some bad work on the image, I cannot send you a picture but to explain you: around the image I see stripes, like those of interlaced material. Wha can I do? Should apply a filter?
Thanks in advance

Giuseppe

[Giuseppe Valentino]

Thank you very much, first of all.
Ok, the thing is that I’m already cutting. I’m working on a Pro res timeline with the 60d footage already converted in prores. I can edit smoothly already because I don’t need to render. The HDV footage is visible, needs just a preview render (green line on the timeline). The amount of the HDV footage is incredible, more then 70 hours, I really cannot convert all the material takes too long. I can keep going and cut the doc in this way, but now my question is: how should I export it? Should I convert once finished the materila used in Prores and then export?
I would like to have all the project in progressive mode. The 60d is already in 25p (PAL version) the HDV is interlaced, same, PAL version of the camera. What/how should I do the export?
Thanks in advance to take the time to answer me.
giuseppe