[Francois Xavier]

I can see clearly now
thanx

Documentary Director & Editor
Paris /France

[Francois Xavier]

I don’t understand why original Timecode could’nt be captured via RS 422 from the Deck along with HDV to DVC HD Pro via analog in via Kona LH ???

Documentary Director & Editor
Paris /France

[Francois Xavier]

add 1 pt of VERTICAL motion blur in Photoshop

if not enought a 10th of gaussian blur

Documentary Director & Editor
Paris /France

[Francois Xavier]

do an easy test (I’ve done it with every solution on the market)

try to “film alike” a wide urban shoot with cables, wires etc on the air, … thin elements
only the Nattress pack with its “smart de-interlace” will do the job without jaggy lines , just try it
there is a demo version

Documentary Director & Editor
Paris /France

[Francois Xavier]

I second the nattress post

better / faster & cheaper !

give it a try

Documentary Director & Editor
Paris /France

[Francois Xavier]

yes the story was long
thank you for your advice

Documentary Director & Editor
Paris /France

[Francois Xavier]

[Sean ONeil] “what about maxtor drives ?”

Don’t use them with a Sonnet card if you want to keep your sanity”

that’s exactly what I was about to do !
second thoughts… I’ll take your word for it

any brand recommended ?

Documentary Director & Editor
Paris /France

[Francois Xavier]

Sean,

what about maxtor drives ?

Documentary Director & Editor
Paris /France

[Francois Xavier]

[Fred Connors Jr] “you will also need a PCIe HBA, Host Bus Adapter”

Fred, what is that ? the sata array adapter ?

Documentary Director & Editor
Paris /France

[Francois Xavier]

I think the big difference the “philosophical gap” is in the nesting of sequences in Fcp without non nesting in avid

Documentary Director & Editor
Paris /France