Cool,
So the common theme seems to be: Get an ingest system that xfers all codecs to one editing codec. The Kona 3 card does that.
What we’ll probably do is injest in DV, then re-dig in HD for graphics and finishing.
Question: If I’m capturing 1080i HDV, and the 720p at 24fps…
Would the Kona Card do a good job going from frame rate to frame rate? Or would it be better to shoot and cut in 60i and then let a Teranex box do the heavy lifting during the film transfer to minimize motion artifacts?
We’re going out to 35mm film.
Thanks guys.
Franco