Forum Replies Created

  • Okay, problems solved. I have recorded in 1080p50 with th Panasonic and with 1080p25 with the Canon7D.
    Then I converted it to a ProRes Format with 1080p25 and both cameras look very nice on a Final Cut timeline. The look is quite similar, even the colours match more or less.

    Visual and Media Anthropologist

    Final Cut Editor

  • Okay, problems solved. I have recorded in 1080p50 with th Panasonic and with 1080p25 with the Canon7D.
    Then I converted it to a ProRes Format with 1080p25 and both cameras look very nice on a Final Cut timeline. The look is quite similar, even the colours match more or less.
    Thanks for helping me out on this!

    Visual and Media Anthropologist

    Final Cut Editor

  • For the Panasonic; It is 1080/50p; this the Full HD size.

    After Reading These comments and other threads, I opt for recording with the canon at 1080/25p and with the Panasonic at 1080/50p. Afterwards I export both formats into Prores HQ at 1080/25p and hope that the Panasonic will blend the images nicely together.
    Any tips? I would do it with compressor and import it into a 1080/25p timeline inside FCP. Right?

    Visual and Media Anthropologist

    Final Cut Editor

  • Anyone?

    Visual and Media Anthropologist

    Final Cut Editor

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