Forum Replies Created

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  • Felix Gorbach

    December 3, 2010 at 9:37 pm in reply to: stroke end following motion tracker

    this sounds very promising.
    will try that as soon as I´m back to my machine… it´s 22:36 in Austria – and I just had a beer… I´ll report – thanks

  • Felix Gorbach

    December 3, 2010 at 9:03 pm in reply to: stroke end following motion tracker

    I hope I know what you are suggesting. This would generate a “seeable” motionpath – right?

    But that´s not what I´m looking for.
    Maybe this screenshot explains it better:

    Thanks a lot,

    Felix

    I know – I could “handtrack” the end of the stroke as the shots that I´m using have just a couple of seconds – but I´m sure that there is a better way

  • Felix Gorbach

    November 28, 2010 at 10:59 am in reply to: Run scope monitor and program monitor side by side

    Wow – thanks a lot for this great idea and the screenshots. I think I´m already there 🙂
    I tried to use the Reference monitor – as a reference monitor – to see a clip that i graded and to match the current clip to the clip in the reference monitor – (the upper left place where the source monitor lives) would be great for the scopes and keeping the referencemonitor for it´s dedicated use – but I guess I can´t have it all. Thanks a lot – was just watching Apples Color tutorial… hope I don´t need that anymore 🙂

    Thanks again,

    Best regards,

    Felix

  • Felix Gorbach

    November 28, 2010 at 8:53 am in reply to: Run scope monitor and program monitor side by side

    This was the first thing I tried. But even with the Color Correction Workspace in CS5 there are is no scope view and programm monitor side by side.
    What I have to do to work in the legal color range is to correct with my tools in the program monitor – that it “looks” great, than switch (in the same monitor) to the scope view and check if the colors are “legal” (- in terms for tv broadcast) and if not – bring in this view the colors to the legal range – check back in the programm monitor if it still looks great (in most cases through the changes not) change there again – check again in the sourcview… and thats a pretty aNnoying workflow.

    In AE´s Color Finesse there are the scopes and “program” monitor side by side – and I thing in apples color as well… but hey folks – there is such a good color correction tool in premiere with colorista II – Is there realy no way to get the scopes side by side with the program monitor?

    All I need is just a second program monitor that I can change (upper right corner) to the scope view – and thats all. Tried of corse with to get this witch the windows menu – and tried to arrange an own workspace… but I couldn`t work it out…

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