Evan Cox
Forum Replies Created
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Evan Cox
February 1, 2021 at 6:42 pm in reply to: Atomos Sumo 19 Frame Rate Issue with Canon C100 Mark IISuper helpful, thanks for sharing!
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Evan Cox
January 30, 2021 at 8:18 pm in reply to: Atomos Sumo 19 Frame Rate Issue with Canon C100 Mark IIInteresting! Thanks for the reply. I’ll look into the Decimator. Feels good to at least have one more possible option to try! Ha.
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Thanks for the reply!
The card in question was an SD card. 95 MB/s Class 10 UHS Speed Class 3. Format appears to be exFAT.
Currently for my three camera setup I’m running on two CF cards and one SD. Maybe I should switch to all CF…
Thoughts?
Thanks again for the help!
-Evan
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Yeah, that’s pretty much what I expected. I asked for nicer cameras when I got here but budgets kept us to 5Ds and a couple of lite panels. I’ll keep making the best of it until the new budgets come around and I can start to fulfill my wishlist.
And yeah, I’ve been making videos for radio stations for the past 7 years now and I can confirm, radio studio lighting is hell on video.
Thanks for the response!
-Evan
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Makes sense to me! Unfortunately I don’t know if that’s the case. Honestly I’m not entirely certain how to check where the audio is pointing to but I’ve tried pulling in a new file and transcoding the audio along with the video and I’ve gotten the same results unfortunately. Is there an easy way I can check this out?
Thanks for the help! Very much appreciated.
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Evan Cox
December 28, 2012 at 9:22 pm in reply to: Looking for the best workflow for the highest qualityMakes sense to me! Thanks Dave!
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Evan Cox
December 28, 2012 at 6:45 pm in reply to: Looking for the best workflow for the highest qualitySo I guess my last question would be, why is exporting a self contained QT video (ProRes 422) and then Compressing it to H.264 a better option than sending a ProRes 422 sequence directly from FCP to Compressor? Not trying to be difficult, just wanting to get a real grasp on the subject.
Thanks again for all of the help!
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Evan Cox
December 28, 2012 at 5:53 pm in reply to: Looking for the best workflow for the highest qualityYeah when I’m shooting these events single cam I’m shooting 1080 – 60p AVCHD on a Sony NXCam. Certain events require multiple cameras which requires us to use what we have (various Sony Camcorders and FlipCams) which create different file types. Using the converter that I’ve been supplied with but will look into a better one. Thanks! This is all very helpful!.
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Evan Cox
December 27, 2012 at 11:57 pm in reply to: Looking for the best workflow for the highest qualityThanks I will definitely try working more with Apple Pro Res 422. The only problem is my converter doesn’t have that as an option for a codec. Again that is only necessary to use when I’m doing multi-cam shoots. The majority of these projects are single cam in which case I can definitely log and transfer as Pro Res to a Pro Res sequence. Going with the theme here, should I use an Apple Pro Res 422 setting in Compressor?
Thanks again! This is exactly what I was looking for.
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Evan Cox
December 27, 2012 at 10:50 pm in reply to: Looking for the best workflow for the highest qualityI convert with H.264. My FCP sequence is set to DV/DVCPRO – NTSC.