[Ernesto Breliere-capaldi]

Thank you Joe, Steven, I suppose the best is to experiment a little bit. I just wondered whether there was one effect you were particularly fond of.

THanks again
Ernesto

Long live the Cow !

[Ernesto Breliere-capaldi]

Nice one Sasha that would be awesome, a guide to down town Tel Aviv night life. The November gig sounds good too, keep me posted !

Best
Ernesto

[Ernesto Breliere-capaldi]

Nice one dude I knew these guys already, didn’t know that track nor that they were from Israel. Living in Paris I hear a lot about this place and the cultural scene sounds awesome, I hope a little trip will come up soon !

Thanks for edit tips and all the best with your projects.
Ernesto

[Ernesto Breliere-capaldi]

Hi,
Yes Sasha it is similar to what you have at the start of your clip.
Have you proceeded the way that has been described above by Mark Suszko ?

Looks like a fun shooting too ! Is he singing in hebrew ? If so Israël looks pretty cool from that perspective 😉

Best
Ernesto

[Ernesto Breliere-capaldi]

OK great thanks Brad. Yes it will be very subtle anyway and I’ll work around it with the edit and make sure that the light work takes the viewer’s attention away from the rough parts (it will be moving on the models’s skin).

Anyway thanks again guys you’ve been very helpful, I might post again during the edit 🙂 and I hope I’ll be allowed to show you the final result.

Best
Ernesto

[Ernesto Breliere-capaldi]

Hm that’s astucious… I have to do it with videos though, but I could perhaps find a way around it by using the stills they’ll shoot live (they’re doing both photo and video shoot at once) and a bit of compositing.

I’ll think about it overnight…
Cheers !
Ernesto

[Ernesto Breliere-capaldi]

Thank you Mark, Dave, I’ll apply your method and tips. I suppose then, in order not to loose too much image quality and avoid trimming, that I should try as much as possible to zoom into the center of the screen/large image, and not to corners ? It might limit me quite a bit.

I will use a glidetrack for a real zoom in and so try to save as much quality loss as possible on edit. Besides, since I’ll be using long macro lenses, the natural blur as we move in might do the trick just fine.

Yet, if I want to zoom in off the center of the large image into the smaller one, which would be say a third of the total screen width to the left from the center of the large image, we’d then see the large image moving to the right and reveal the black background of the canvas. If I take it into account whilst shooting and grade the large image’s black parts to the same black as the background, it might do, but would you happen to have a trick for that part ?

Thanks again
Ernesto

[Ernesto Breliere-capaldi]

So there are little chances to get clear images with that gear I guess ?

The 7D is the only available camera, and there will only be a couple of short shots in the whole add, so no dramatic rendering.

Yet, why would 1/400 be better than 1/60 if it is only to get the brushes in slow motion, regardless of the sharpness ?

The kino lights are rather powerful, so if I bring them close enough with full power, I might be able to shut the iris so much that I’ll get a decent depths of field I suppose.

Thanks to both of you.