[Emanuel Schwermer]

Thanks guys for all this input!
As for many others I’m working with DaVinci as well on this MacPro, so as far as I know,
a life without any CUDA driver is still not possible, even with no installed NVIDIA card at all.
But the links you posted are extremely helpful and I try now rolling back to CUDA 5.5.28.

Many thanks so far from cold Munich!

Emanuel

Emanuel M. Schwermer
Director of Photography, BVK
SpecialEffectsPhotography
Munich-Germany

[Emanuel Schwermer]

Hello there,
any news on that?

I’m doing a TimeLapse project as well right now and would love to workflow from Canon RAW (6D) to DNG. (transcoding with Adobe Bridge)

I’m on resolve 10.1.4 (.009) with MacPro2014 on OSX 10.9.2

It would be such a super-cool workflow, especially because of the possibility to set resolve10 to
Camera RAW: cinemaDNG: with the Option: HighlightRecovery.
This gives awesome results, i tested it today, but this import problem sucks, all frames have some % of black on the left and upper side.

I wrote BlackMagic, but now answer until now.

Any hints?

Greets from Munich,
Emanuel
https://www.firstcamera.de

[Emanuel Schwermer]

Thank you everybody for your responses!
I think the problem is this “fully manually” – it seems really to work frame by frame only!
Can somebody confirm that?

Greets,

Emanuel
https://www.firstcamera.de

[Emanuel Schwermer]

I’m also confused, as it seems to work just “somehow” not like i would expect it to work.
But there must be a reason why it is described in the manual.
I’m just a “hobby-user” of DaVinci for my timelapse stuff i shoot during my assignments as a DoP.
Once somebody could me give advice how to use this function properly …
I would be very happy!

Emanuel

https://www.firstcamera.de

[Emanuel Schwermer]

Hope the 2 ScreenShots are got attached. Can not see them!
I’m playing with the dust removal settings at the moment – YES it is there!
At it works somehow!
See the DVresolve manual on page 518+519.

[Emanuel Schwermer]

Thanks 4 your answer!
But was is that?
(See ScreenShot)

[Emanuel Schwermer]

Guys,

simple question:
Can i grade a 4K clip in DVRlite in a 1920×1080 timeline (sure i can), and exporting the HD project and render it out then in 4K on a different machine with a pro license?

Thanks for a short Yes or No. (-;

Emanuel from Munich
https://www.firstcamera.de

[Emanuel Schwermer]

Sorry mates,

now i have found the Info, that APCH is just a different description for ProRes-422-HQ.
So sorry for the probably stupid question.
Can somebody confirm, that it is really the absolute same, or is there a difference?

Many thanks again from Munich;

Emanuel
https://www.firstcamera.de

[Emanuel Schwermer]

Dave,

thank you very much, this was very helpful!
And yes, you can definitely count on me when it comes to the Salvator beer!
(-;
Thank you very much – with unfortunately still rainy greets from Munich.

Emanuel

[Emanuel Schwermer]

Clay,
thanks for your answer first!
I’m working in 5K (4:2) (original DSLR RAW’s -> TIFF) for 4K intermediate (16:9 reframed) and in the end 2K output.
The reason is simple why i need the lower edge, it is the “main-action-area”!
The upper edge is just clouds and sky, no prob to get cropped up there.
It would be all perfect for me, just the false two edges gettin’ circumcised during PositioningSrabilizing.
I would need just to flip it!
Possible you think?

Cheers dude,

Emanuel