[Don Smith]

Got it figured out.

[Don Smith]

Yup, couldn’t have said it better myself. No, I don’t throw in crossfades for every scene change, but I do for a lot of them. And I often have several grouped events that I want to cross fade, and that’s why I wanted to be able to do it “quicker and easier”. There needs to be a reason for every transition. I rarely use anything other than a straight cut, cross fade, or fade to and from black (or white). But there is always a reason for any of them.

[Don Smith]

Thanks, that’s easy enough. It looks like that also puts in an automatic audio cross fade as well, right?

[Don Smith]

Thanks, Willie. Appreciate your prompt response on this. I’ll try it out.

[Don Smith]

Thanks for the reply, Willie. So you are saying that the Dynamics Processing is NOT the way to go? Sure is easy to do that way. But the hard limit is really the way to go?

[Don Smith]

Thanks, yeah, maybe it wasn’t a long enough section. Hard to get “just fan noise” and have any real length to it. I’ll try again.